Koreografi Tari Ratok Maik Katurun Di Nagari Padang Laweh Kecamatan Koto Vii, Kabupaten Sijunjung

This research aims to reveal and describe the movement analysis of the Sentak Baindang Dance at Sanggar Tuah Sakato, Pauh District, Padang City. The type of research used is qualitative research with descriptive methods. The instrument for this research is the researcher himself and is assisted by supporting instruments such as writing equipment and a camera. The data in this research uses primary data and secondary data. Data collection techniques were carried out using literature study, observation, interviews and documentation. The steps for analyzing data are data collection, data reduction, data presentation and concluding. The results of the research show that the Sentak Baindang Dance at Sanggar Tuah Sakato is a new dance creation. The Sentak Baindang Dance can be viewed from the aspects of space, time and energy. The Sentak Baindang Dance has 28 kinds of movements. From the aspect of space, it has elements of line, volume, facing direction and focus of view. The lines in this dance are predominantly straight, curved and angular lines. The volumes contained in this dance are predominantly large, medium and small. The facing directions in this dance movement are dominantly front, right and left diagonal, right and left side. The levels contained in the Sentak Baindang Dance movements are dominantly large, medium and small. The focus of view in this dance movement is dominant towards the hands, the property being held, the right and left sides, right and left diagonally. From the time aspect, the dominant tempo and rhythm are medium and fast. Meanwhile, the aspect of energy and intensity in this dance movement is dominantly medium and strong, the pressure in this dance movement is dominantly strong and the quality of the Baindang Sentak Dance movement is dominantly medium and firm.

Section: Pendahuluanunclassified

Analisis Gerak Tari Sentak Baindang di Sanggar Tuah Sakato Kecamatan Pauh Kota Padang

Putri,

Mansyur

2024

“…Tarian tari kreasi merupakan sebuah tarian yang cenderung lepas dari standar tarian yang baku biasanya lebih merujuk pada kreasi dari penata tari, dan pastinya tetap memelihara mulai artistiknya (Indrayuda, 2017). Tari kreasi baru mulai dikenal banyak orang pada tahun 1960-an, untuk menandai reportoar-reportoar tari baru yang masih tetap bersumber pada tari tradisi (Sumaryono : 2006).…”

Section: Pendahuluanunclassified

Koreografi Tari Galuik Salendang Sanggar Tuah Sakato di Kota Padang

Aisah,

Susmiarti

2024

This study aims to reveal and describe the Choreography of the Galuik Salendang Sanggar Tuah Sakato Dance in the City of Padang. This type of research is qualitative research with descriptive methods of analysis. This research instrument is the researcher himself and is assisted by supporting instruments in the form of stationery, cameras and audio recording devices. Data collection techniques are carried out by means of literature studies, observations, interviews and documentation. The steps of analyzing data are data collection, data reduction, data presentation and drawing conclusions. The results showed that the creation of Galuik Salendang dance consisted of 2 aspects, namely the content aspect and the form aspect. The content aspect consists of ideas, atmospheres and functions. The idea of creating Galuik Salendang dance was inspired by the Sofyani Umbrella dance and the pre-existing Galuik Salendang dance. The atmosphere of this dance is a joyful and passionate atmosphere. The function of Galuik Salendang dance is as an entertainment dance. While the form aspect consists of movement, dancers, floor design, dramatic design, group composition, costumes, props and dance accompaniment

“…Penelitian ini juga menggunakan beberapa metode lainnya seperti historis dan deskriptif analisis. Deskriptif analisis yaitu metode penelitian dengan cara pengumpulan data yang sesuai, setelah itu data tersebut disusun, diolah dan dianalisis untuk memberikan gambaran mengenai masalah yang ada"(Sugiyono, 2008); (Ermalasari, 2023;Mansyur, 2023;Yosmadia, 2023).…”

Section: Metodeunclassified

Ibing Pencak Silat Gaya Cimande di Jampangkulon Kabupaten Sukabumi

Bangun Prasetyo Widodo,

Kasmahidayat

2023

Pencak silat can be said as a martial art that has been included in the presentation of performing arts. Because Ibing pencak Silat already contains aesthetic aspects which are distilled into a form of motion for the needs of performing dance. The movement structure of pencak silat has its own technique, broadly speaking it contains attack and defense techniques arranged in such a way as to create a beautiful style. Along with the development of the era of pencak silat, it also follows its development, which now, apart from being a martial art, pencak silat also doubles as a performing art. The purpose of this research was to obtain data and information about the influence of Cimande style pencak silat on the development of Ibing pencak Silat in Jampangkulon. This study uses a qualitative approach with descriptive analysis method. Data collection techniques are carried out by means of observation, interviews, and also documentation. The results of this study show that the Cimande martial arts school is the oldest of several martial arts schools on the island of Java and is known as a large school. Silat Cimande is known as a style of silat that uses and relies more on bare hands, every movement showing movements that explore the limbs of the human body as a gift from God. Cimande's pencak silat can be called one of the parents of the currently circulating pencak styles, and Cimande's movements are also some of the basics of movements that have been developed now. With this research, it is possible to obtain and obtain information about several pagurons in Jampangkulon by studying and discovering the movements resulting from the development of Cimande style pencak silat movements.