Inequalities in Creative Cities 2016
DOI: 10.1057/978-1-349-95115-4_6
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Knowledge Makes Cities: Education and Knowledge in Recent Urban Development. The Case of Heidelberg, Germany

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Cited by 3 publications
(6 citation statements)
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“…Furthermore, critical voices accuse 'creative class' and 'creative city' discourses of hiding underlying objectives, such as attracting external investors, increasing land value and city branding (Doucet et al, 2011;Sacco et al, 2014;Sechi, 2016). They are seen as a neoliberal tool that legitimates massive investment flows for large-scale projects and responds to the needs of upper and middle classes, and thus entails the risk of growing social polarization (Gerhard and Hoelscher, 2017;Moulaert et al, 2001;Shaw, 2013).…”
Section: Socio-spatial Integration: a Key For Shared Growth Or A Poli...mentioning
confidence: 99%
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“…Furthermore, critical voices accuse 'creative class' and 'creative city' discourses of hiding underlying objectives, such as attracting external investors, increasing land value and city branding (Doucet et al, 2011;Sacco et al, 2014;Sechi, 2016). They are seen as a neoliberal tool that legitimates massive investment flows for large-scale projects and responds to the needs of upper and middle classes, and thus entails the risk of growing social polarization (Gerhard and Hoelscher, 2017;Moulaert et al, 2001;Shaw, 2013).…”
Section: Socio-spatial Integration: a Key For Shared Growth Or A Poli...mentioning
confidence: 99%
“…This urban turn in knowledge-related, technical and scientific activities was led under the influence of the 'knowledge economy' paradigm and new urban strategies (Gerhard and Hoelscher, 2017). In Europe, it has been politically supported by the European Commission, with 20 years of economic agendas promoting R&D with the Lisbon strategy and its successor, the Europe 2020 initiative.…”
Section: Introductionmentioning
confidence: 99%
“…One important critique concerns the contested size of the alleged creative class and the actual amount of creative industries in any given city (see Peck 2012;Gerhard 2017;McDowell 2017). Another important critique concerns the problem of causality (Peck 2005): "Street-level cultural innovation and conspicuous consumption may just as easily be consequences of economic growth, rather than causes of it" (p. 755).…”
Section: Criticisms Of the Creative Cities Paradigmmentioning
confidence: 99%
“…That policy-makers will never be certain whether the creative city policy will really bear fruit is another point of concern. In effect, some even wonder whether we are really looking at something special or new at all (see Gerhard 2017).…”
Section: Criticisms Of the Creative Cities Paradigmmentioning
confidence: 99%
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