Knotenpunktgestalten der Musikgeschichte

Moser, Hans Joachim

doi:10.7767/omz.1950.5.jg.2

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“…Therefore Senfl could at last retain his outstanding position as the greatest exponent of Alemannic musical creators until Carl Maria von Weber -Moser's words in the same publication, bringing the very German opera Der Freischütz into play. 133 Accordingly, in a review of the new general edition of Senfl's works, Hans Albrecht -also the author of the disputable article on Germany in the first MGG -declared it to be the duty of contemporary musicology to study the edited music so that one might understand the Germanic nature of Senfl's works. 134 The apotheosis of Senfl had by now reached its apogee.…”

Section: Ludwig Senfl a German Hero Of Early Timesmentioning

confidence: 98%

The Modern Invention of the ‘Tenorlied’: A Historiography of the Early German Lied Setting

Lindmayr-Brandl

2013

Early Music History

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The early German lied setting is the musical genre that is considered to be the first polyphonic art form in German music. The genre was revived in the nineteenth century in the context of early nationalism, linked with the idea of ‘Volkslied’. This article traces the evolution of the ‘Tenorlied theory’ in early musicology, featuring prominent figures such as Arnold Schering, Hans Joachim Moser and Heinrich Besseler, and connects it with a specific performance practice that developed simultaneously with the emergence of various amateur musical circles: the Jugendmusikbewegung, the male choir movement, the Hausmusik movement and the Collegium musicum. A fatal period in the history of the early German lied setting led to the politicisation of its repertory in the Third Reich. Ludwig Senfl, a German hero of early times, provides a case study in point. The years after the Second World War were characterised by efforts to standardise the performance practice of the lied as well as the usage of the term ‘Tenorlied’, while still insisting on the German identity of the genre.

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Section: Ludwig Senfl a German Hero Of Early Timesmentioning

confidence: 98%

The Modern Invention of the ‘Tenorlied’: A Historiography of the Early German Lied Setting

Lindmayr-Brandl

2013

Early Music History

View full text Add to dashboard Cite

show abstract

Knotenpunktgestalten der Musikgeschichte

Cited by 1 publication

References 0 publications

The Modern Invention of the ‘Tenorlied’: A Historiography of the Early German Lied Setting

The Modern Invention of the ‘Tenorlied’: A Historiography of the Early German Lied Setting

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