Stitching the Self: Identity and the Needle Arts 2020
DOI: 10.5040/9781350070417.ch-004
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“Knitting is the saving of life; Adrian has taken it up too”: Needlework, Gender, and the Bloomsbury Group

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Cited by 17 publications
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“…Embroidery is perceived as a submissive, voiceless, and irrelevant female craft through a partial, patriarchal narrative that distorts gendered socio-cultural narratives [ 4 , 5 , 6 ]. The feminist movement has emerged to restore its forgotten gender-oriented history, such as its use by the suffragists in their 1910 protest [ 7 ], as well as the Bloomsbury Society’s advocacy of embroidery as a means of integrating women’s and homosexuals’ voices [ 8 ]. The connection between embroidery and the status of women is also evident in the lack of documentation of embroidery and the omission of women as creators [ 9 ].…”
Section: Introductionmentioning
confidence: 99%
“…Embroidery is perceived as a submissive, voiceless, and irrelevant female craft through a partial, patriarchal narrative that distorts gendered socio-cultural narratives [ 4 , 5 , 6 ]. The feminist movement has emerged to restore its forgotten gender-oriented history, such as its use by the suffragists in their 1910 protest [ 7 ], as well as the Bloomsbury Society’s advocacy of embroidery as a means of integrating women’s and homosexuals’ voices [ 8 ]. The connection between embroidery and the status of women is also evident in the lack of documentation of embroidery and the omission of women as creators [ 9 ].…”
Section: Introductionmentioning
confidence: 99%