1985
DOI: 10.1179/mdh.1985.10.1.1
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Kings, Saints, and Monasteries in Pre-Viking Mercia

Abstract: From the first, men and women of royal birth formed a distinctive, indeed preponderant, class among Anglo-Saxon saints. At first sight it would appear that Mercia, whose royal family was converted relatively late, lacked early royal cults of the distinction of those of Northumbria, Kent, and East Anglia. Nevertheless, a considerable number of Mercian kings, princes, and princesses achieved sainthood in the late 7th and early 8th centuries, albeit generally in obscure and localized circumstances. The 7th-centur… Show more

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Cited by 12 publications
(2 citation statements)
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“…Indeed, in his study of Mercian royal saints, Alan Thacker asserts that there is no definitive evidence for Kenelm's kingship of Mercia, nor for Cwoenthryth's involvement in a plot to murder her brother, nor even for a vernacular cult prior to 970. 18 Critically, in her examination of English royal saints' cults, Catherine Cubitt suggests that the literary transmission of Vita, so distant from the event it purports to describe, was inspired by the murder of King Edward the Martyr and a subsequent vogue for hagiographical biography. 19 It is not a leap to then suggest that the narrative similarities between the two hagiographies, as exemplified by the presence of the treacherous woman, similarly stem from popular interest in Edward's death and to then extend this argument to the thematically analogous Passio AEthelberhti.…”
Section: Three "Wicked Queens" and Three Royal Martyrsmentioning
confidence: 99%
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“…Indeed, in his study of Mercian royal saints, Alan Thacker asserts that there is no definitive evidence for Kenelm's kingship of Mercia, nor for Cwoenthryth's involvement in a plot to murder her brother, nor even for a vernacular cult prior to 970. 18 Critically, in her examination of English royal saints' cults, Catherine Cubitt suggests that the literary transmission of Vita, so distant from the event it purports to describe, was inspired by the murder of King Edward the Martyr and a subsequent vogue for hagiographical biography. 19 It is not a leap to then suggest that the narrative similarities between the two hagiographies, as exemplified by the presence of the treacherous woman, similarly stem from popular interest in Edward's death and to then extend this argument to the thematically analogous Passio AEthelberhti.…”
Section: Three "Wicked Queens" and Three Royal Martyrsmentioning
confidence: 99%
“…Of our treacherous woman, Thacker has highlighted that the name Cynethryth in Passio is late eighth-century in form, whereas in later traditions her name is the same as that of Kenelm's traitorous sister, Cwoenthryth. 96 When considered alongside the established cult in Hereford and the narrative's local flavour, it seems that Passio retains a believable cultural memory of Offa's wife.…”
Section: A Regional Trope: Passio Aethelberhti and Vita Et Miracula Kmentioning
confidence: 99%