2006
DOI: 10.1017/s0003598x00094059
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King's monuments: identifying ‘formlings’ in southern African San rock paintings

Abstract: The author demonstrates that the complex images of rock art known as formlings depict or evoke the equally complex architecture of ant-hills. Presented in cutaway and full of metaphorical references, they go beyond the image into the imagination.

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Cited by 5 publications
(2 citation statements)
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“…The same exudate-producing plant families are also widely used by local people in traditional medicine (Ho 1999). Indigenous people across the tropics, for whom stingless bees (Trigonidae) and honeybees (Apidae, Apis mellifera) are cultural keystones (Posey 2002, Mguni 2006, are well aware of the bees' preference for these tree species. In southern Africa, for example, latex of Spirostachys africana and Garcinia livingstonei is so attractive to stingless bees that local people use twigs from these trees to follow bees to their nests (Cunningham 1985).…”
Section: Latex-producing Plants Logging and The Health Of Bee Coloniesmentioning
confidence: 99%
“…The same exudate-producing plant families are also widely used by local people in traditional medicine (Ho 1999). Indigenous people across the tropics, for whom stingless bees (Trigonidae) and honeybees (Apidae, Apis mellifera) are cultural keystones (Posey 2002, Mguni 2006, are well aware of the bees' preference for these tree species. In southern Africa, for example, latex of Spirostachys africana and Garcinia livingstonei is so attractive to stingless bees that local people use twigs from these trees to follow bees to their nests (Cunningham 1985).…”
Section: Latex-producing Plants Logging and The Health Of Bee Coloniesmentioning
confidence: 99%
“…In chapter two the study underscored that according to Chiwome (1996) and Chinyowa (2007) prior to independence development of the ChiShona novel and play was influenced by the colonial regime which made the production of ChiShona literary works subject to the Rhodesia Literature Bureau. A number of Zimbabwean literary critics who critique the literature Bureau such as Furusa (2006), Wasosa (2014), Muwati (2009), Mutasa and Muwati (2007), and Makaudze (2009) concur that the Literature Bureau dictated the themes which authors were supposed to pursue as well as censoring all literary works to ensure that no politically-charged protest literature was written. The Literature Bureau was mainly interested in the safety of the white people.…”
Section: Dedicationmentioning
confidence: 99%