1990
DOI: 10.5962/bhl.title.5262
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Killke and Killke-related pottery from Cuzco, Peru, in the Field Museum of Natural History / Brian S. Bauer, Charles Stanish.

Abstract: In most cases, the text should be precedshould conclude with "Acknowledgments" (if any) and "Literature Cited." U All measurements should be in the metric system (periods are not used after abbreviated \d Style of headings should follow that of recent i.ssucs of Fiddiana."or more detailed style information, see T.iiio Press, and also rcccni issues i>{ Fiehlian, :nts). The |Cg., m citation oi s\r xuxXwis consLKtenUy v.\\o\i\\X UMov^' Uotanico-l'crujdicunt-t'iuuui>:uin ;ind lL-.i iaxor Aterature by F. A. Si; . .… Show more

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Cited by 10 publications
(6 citation statements)
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“…All diagnostic pottery was analyzed by coding for surface decoration and finishes, morphology, and fabric characteristics (color, texture, inclusions, porosity, heterogeneity, firing evidence), with use of an optical microscope and/or hand loupe. Diagnostic pottery other than Cuzco-Inka/imperial Inka wares (identified following Meyers 1975; Pardo 1939; Rowe 1944:47--49; Valcárcel 1934, 1935) was categorized as “Killke” (Bauer and Stanish 1990; Rowe 1944:49--50), “undefined decorated,” “Inka-related decorated,” or as other known styles.…”
Section: Evidence For Inka Ceramic Productionmentioning
confidence: 99%
“…All diagnostic pottery was analyzed by coding for surface decoration and finishes, morphology, and fabric characteristics (color, texture, inclusions, porosity, heterogeneity, firing evidence), with use of an optical microscope and/or hand loupe. Diagnostic pottery other than Cuzco-Inka/imperial Inka wares (identified following Meyers 1975; Pardo 1939; Rowe 1944:47--49; Valcárcel 1934, 1935) was categorized as “Killke” (Bauer and Stanish 1990; Rowe 1944:49--50), “undefined decorated,” “Inka-related decorated,” or as other known styles.…”
Section: Evidence For Inka Ceramic Productionmentioning
confidence: 99%
“…In the absence of markets or money (La Lone 1978), the Inka economy was rooted in institutions of redistribution and labor management, and the people who oversaw these institutions were housed in newly constructed, discrete spaces (e.g. D'Altroy and Earle 1985;Hyslop 1990;Morris 1982Morris , 1992Morris and Thompson 1985;Protzen 2000;Stanish 2001). To legitimate their imperial project, the Inkas often manipulated widely recognized mechanisms of reciprocity, casting imperial domination as benevolence by hosting theatrical feasts within the vast plazas of their august, monumental complexes (DeMarrais 2001;Morris and Covey 2003;Morris and Thompson 1985).…”
Section: Read Only/no Downloadmentioning
confidence: 99%
“…Such places were cast as powerful sources of a kin group's social identity and as essential components of its claim to temporal READ ONLY/NO DOWNLOAD continuity and political autonomy (Kosiba 2010). Inka processes of social conversion might have targeted these places, such as the Temple of Wari Wilka (Cieza 1971(Cieza :311, chapter 84 [1554) or the Island of the Sun in Lake Titicaca (Cobo 1990(Cobo :94 [1653; see Bauer and Stanish 2001), precisely because they were long recognized as founts of political power.…”
Section: Read Only/no Downloadmentioning
confidence: 99%
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“…El estilo killke típicamente tiene dibujos geométricos de color negro o negro con rojo sobre una base de color crema. Hay diseños comunes con del estilo inca, como triángulos y rombos (Bauer y Stanish 1990). En muchos casos las cerámicas de killke se encuentran en sitios incas y su distribución se concentra en el centro del Cusco.…”
Section: Modelo De La Formación Del Estado Inca Basado En Las Evidenc...unclassified