Abstract:Theories of tonal music take for granted that all keys of the same mode (i.e., all major and all minor keys) are employed by composers in essentially the same way; however, newer analytical and cognitive research challenges this view by pointing to aspects of transpositional nonequivalence among the keys. The present study offers possibly the first systematic, data-driven investigation of correlations between the choice of absolute key and structure across a composer's body of works. By performing an extensive… Show more
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