2018
DOI: 10.3366/film.2018.0094
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Katharina Lindner (2017)Film Bodies: Queer Feminist Encounters with Gender and Sexuality in Cinema

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“…In the sequence in Figure 11, Anne undresses again in the locker room and opens her hands in the form of a cross, devoutly longing for Francois to come again and offer her body to him. In these sequences, Sciamma gives more meaning to the female body; as Lindner says, "female bodies are not 'on display,' or staged to-be-looked-at; they function as intensely corporeal, tactile and muscular articulations of the phenomenological ways of being-and becoming familiar with and orientated in the world that takes shape in and through the films" [6]. At the same time, Sciamma not only questions female adolescents as objects of male desire but also depicts women's desires and fantasies about the same sex and men from a female perspective.…”
Section: The Meaning Of the Bodymentioning
confidence: 99%
“…In the sequence in Figure 11, Anne undresses again in the locker room and opens her hands in the form of a cross, devoutly longing for Francois to come again and offer her body to him. In these sequences, Sciamma gives more meaning to the female body; as Lindner says, "female bodies are not 'on display,' or staged to-be-looked-at; they function as intensely corporeal, tactile and muscular articulations of the phenomenological ways of being-and becoming familiar with and orientated in the world that takes shape in and through the films" [6]. At the same time, Sciamma not only questions female adolescents as objects of male desire but also depicts women's desires and fantasies about the same sex and men from a female perspective.…”
Section: The Meaning Of the Bodymentioning
confidence: 99%