Abstract:This article explores ways in which Kurosawa's Ran, an adaptation of King Lear which premiered in 1985, evokes Western and Japanese traditions to confront Japan's wartime history and the post-war dangers of mutually assured destruction. In focusing on the depiction of Hidetora (the film's Lear-figure) as one who both commits and suffers atrocity, the article traces parallels with the condition of post-war Japan, which, at the time of the film's premiere, was still coming to terms with the violence it had infli… Show more
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