1986
DOI: 10.2307/852030
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Kaja and Kelod: Balinese Dance in Transition

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“…In Legong, when dancing, Legong dancers are always escorted by two men carrying spear weapons, while in Joged, Joged dancers who are boys aged about 10-12 years are allowed to serve guests after dancing. Bandem and deBoer (1981) assumed that Legong is associated with the concept of spatial space called luan-teben or kaja-kelod which are understood as sacred space and secular space. Based on this concept, it is stated that Legong transformed from sacred to secular, from Sanghyang Legong to Nandir, then it becomes classical Legong named Legong Keraton.…”
Section: Introductionmentioning
confidence: 99%
“…In Legong, when dancing, Legong dancers are always escorted by two men carrying spear weapons, while in Joged, Joged dancers who are boys aged about 10-12 years are allowed to serve guests after dancing. Bandem and deBoer (1981) assumed that Legong is associated with the concept of spatial space called luan-teben or kaja-kelod which are understood as sacred space and secular space. Based on this concept, it is stated that Legong transformed from sacred to secular, from Sanghyang Legong to Nandir, then it becomes classical Legong named Legong Keraton.…”
Section: Introductionmentioning
confidence: 99%