Kaip galima kino filosofija?

Milerius, Nerijus

doi:10.15388/problemos.2007.0.2039

Cited by 2 publications

(1 citation statement)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Straipsnyje, skirtame kino filosofijos kaip vienos iš kiną interpretuojančių disciplinų galimybei, esu nubrėžęs skirtį tarp kinematografininko, kino istoriko ir mokslininko (filosofo, psichologo, istoriko ir kt.) (Milerius 2007). tai yra trys galimi prieigos prie kino kūrinio būdai.…”

unclassified

Apokalipsės Vizijos Kine. Filosofinės Banalaus Žanro Prielaidos

Milerius¹

2010

PRB

Self Cite

View full text Add to dashboard Cite

Šis straipsnis yra prieš kurį laiką skelbto „Problemų“ žurnale straipsnio „Kaip galima kino filosofija?“ tąsa. Kartą aptarus kino filosofijos kaip specifinės kino analizės prielaidas, dabar iš kino filosofijos pozicijų interpretuojama prieiga prie masinės kultūros reiškinio – apokalipsės kino. Aptariamos skirtingos žanrų analizės galimybės – žanro kaip reprodukuojamos klišės, mitologinės struktūros ir darinio, kurį lemia įvairūs kultūriniai, socialiniai ir istoriniai kontekstai. Apokalipsės kinas analizuojamas kaip kinas, kurį pagrindžia specifinė laiko traktuotė. Tvirtinama, jog apokalipsės kine įvykiai skaidomi į „mažuosius“ ir „didžiuosius“. „Mažuosiuose“ įvykiuose funkcionuoja kasdienis laikas, kurį suardo „didžiųjų” įvykių globalus – ribotas, pabaigą ženklinantis – apokaliptinis laikas. Analizuojant tokią apokalipsės kino dinamiką nuo „mažųjų“ įvykių link „didžiųjų“, kasdienis laikas ir apokalipsė aptariami kaip bendresni konceptualūs kontekstai, lemiantys iš pažiūros banalias apokaliptinio kino prasmes.Pagrindiniai žodžiai: kino filosofija, žanrinis kinas, kasdienis laikas, apokalipsė.The Visions of the Apocalypse in Cinema: the Philosophical Presuppositions of the Banal GenreNerijus Milerius SummaryThe article is a continuation of the considerations for first time announced in “How is film philosophy possible?”, the article published in “Problemos”. The discussion of the presuppositions of film philosophy as a peculiar way to analyze cinema now leads to a philosophical interpretation of a mass culture phenomenon apocalyptic movies. The article shows that an apocalyptic film could be treated as a reproduction of the fixed cliché, a mythological structure or a phenomenon determined by various cultural, social and historic contexts. It is presupposed that apocalyptic film is determined mostly by the concept of time. In an apocalypse film, two types of events, “small” and “big”, are usually distinguished. In the “small” events, the everyday time reigns, while the “big” events are the domain of the global apocalyptic time of the end. The plot of an apocalyptic film is based on the transition from everyday to global disasters and attempts to restore the everyday order of “small” events. Analyzing this type of the plot structure, the time of the everyday and the time of the apocalypse are treated as general contexts which determine and transform the field of the apparently banal genre.Keywords: film philosophy, genre film, everyday time, apocalypse.

show abstract

unclassified

Apokalipsės Vizijos Kine. Filosofinės Banalaus Žanro Prielaidos

Milerius¹

2010

PRB

Self Cite

View full text Add to dashboard Cite

show abstract

Determination of Iminoctadine Residues in Water Samples by Liquid Chromatography/Tandem Mass Spectrometry and Its Bebavior in Aquatic Environment

Naitoh¹,

Kadowaki²

2011

Kankyou Kagaku

View full text Add to dashboard Cite

Summar y A liquid chromatography/tandem mass spectrometric (LC/MS/MS) procedure for the determination of fungicide 1,1＇-[iminodi (octamethylene)]di-guanidine (iminoctadine) in water samples has been developed. A direct derivatization of iminoctadine in watetr samples with benzoyl chloride (C 6 H 5 COCl) was applied to the procedure for the quantitative detection, in order to prevent the loss of iminoctadine in analytical processes because of the absorption activities. Iminoctadines in a water sample were treated with C 6 H 5 COCl to form the benzoate derivative, and then the derivative was extracted into dichloromethane. The extract was cleaned up using a florisil cartridge column, and the eluate was exchanged to acetonitrile. The derivative of iminoctadine in acetonitrile solution was determined by LC/MS/MS. The method detection limit for iminoctadine was 0． 22 ng/L and the mean recoveries in water samples ranged from 80 to 101 % (c.v. 4． 0-8． 9 %). It was found that this method enables the reliable determination of iminoctadine residues in water samples at ppt level and is superior in sensitivity and reliability to the HPLC postcolumn derivatization fluorescence detection method which is the official analytical method for iminoctadine in Japan. Moreover, to clear the behavior of iminoctadine in aquatic environment, a river water sample was fractionated into hydrophobic and hydrophilic fractions, and recovery tests of iminoctadine added to the fractions were conducted using this determination method. The results showed that the behavior of iminoctadine in aquatic environment is affected not only by suspended substances but by aquatic fumic substances of humic and fulvic acids. Some of iminoctadine in aquatic environment are likely incorporated into aquatic fumic substances by hydrogen bond or combining with them to form amides.

show abstract

Kaip galima kino filosofija?

Cited by 2 publications

References 0 publications

Apokalipsės Vizijos Kine. Filosofinės Banalaus Žanro Prielaidos

Apokalipsės Vizijos Kine. Filosofinės Banalaus Žanro Prielaidos

Determination of Iminoctadine Residues in Water Samples by Liquid Chromatography/Tandem Mass Spectrometry and Its Bebavior in Aquatic Environment

Contact Info

Product

Resources

About