Abstract:This article discusses Kafkaesque cinema as a response to historical conditions of post-fascism through the close-reading of three films: Chris Marker's La Jetée (1962), Béla Tarr's Werckmeister harmóniák ( Werckmeister Harmonies , 2000), and Christian Petzold's Transit (2018). Important interlocutors are the Hungarian philosopher Gáspár Miklós Tamás and the Italian historian Enzo Traverso; both understand post-fascism as a historical condition that perpetuates fascism's hostility to the Enlightenment, but whi… Show more
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