”Just Talking about Art” – Creating Virtual Storytelling Experiences in Mixed Reality

Spierling, Ulrike; Iurgel, Ido

doi:10.1007/978-3-540-40014-1_23

Cited by 16 publications

(7 citation statements)

References 4 publications

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“…However, we are making the conjecture that authoring should be considered as the cornerstone of Interactive Drama and that research is needed to improve authoring tools and methodologies. This idea is shared by several researchers in the field (Mateas & Stern, 2005a;Portugal, 2006;Skorupski et al, 2007;Spierling, 2007;Spierling & Iurgel, 2003).…”

Section: The Issue Of Authoringmentioning

confidence: 89%

Towards minimalism and expressiveness in interactive drama

Szilas

Wang

Axelrad

2008

Proceedings of the 3rd International Conference on Digital Interactive Media in Entertainment and Arts

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Having found it difficult for authors to be creative with current interactive drama systems, we propose an alternative authorcentered approach allowing authors of nonlinear media to express themselves easily and smoothly.At the level of character animation, a bottleneck in Interactive Drama, our idea is to build authoring tools and author-centered engines for interactive drama that make it possible for an author to create virtual worlds, characters and animation instantly. To achieve this goal, a minimalist design for each of those features is proposed. A Use Case is described to better illustrate the approach.

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Section: The Issue Of Authoringmentioning

confidence: 89%

Towards minimalism and expressiveness in interactive drama

Szilas

Wang

Axelrad

2008

Proceedings of the 3rd International Conference on Digital Interactive Media in Entertainment and Arts

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“…(Fulton et al, 2005, p. 1). Many issues on museum, exhibition and curatorial studies are focused on the problem of using interactive multimedia tools for creating narratives helping visitors to understand the content of an exhibition (Booth, 1998;McKay, 2007;Falk & Dierking, 2000;Scott, 2012;Spierling & Iurgel, 2003). The aesthetic reception and interpretation of artworks in exhibition projects also requires a broader context in form of artistic myths, stories, comments and other kinds of narratives to create an illusion of understanding for a viewer.…”

Section: Introductionmentioning

confidence: 99%

Reconsidering Manifesta 10: Big Exhibition Project as Narrative

Biryukova

2017

CITAR Journal

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This article analyzes the exhibition project of Manifesta 10 (St. Petersburg, 2014) as a complex of narratives including media texts and artists' myths and stories. Two main, mutually affecting themes of the Manifesta 10 narrative are defined as a dialog between classical and contemporary art and an idea of "total work of art" in the context of the theory of "Gesamtkunstwerk". The basis of the theory was laid by R. Wagner, and it had later continued in contemporary cultural studies in relation to interactivity of contemporary art. Big exhibition projects transform the idea of "total work of art" into the concept of unity of different artistic elements (artistic methods, media, art spaces, mythologies, commentaries, critical texts) in the whole of the exhibition. The curator's idea of dialog between classical art and contemporary artworks stresses the key role of the Hermitage in the project of Manifesta 10 and demonstrates benefits and disadvantages of an exhibition mega-project in a classical museum. The "big story" about the opposition of contemporary art and tradition consists of minor stories of particular projects in the exhibition. In this regard, the criteria of Manifesta 10's critical reception and interpretation are considered.

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“…Typically, this interface uses a free text or free speech interface for entering the action. This type of interface has been chosen by several research projects on ID [5,11,16].…”

Section: F Is a Partial Functionmentioning

confidence: 99%

Stepping into the Interactive Drama

Szilas

2004

Technologies for Interactive Digital Storytelling and Entertainment

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Abstract. Achieving a successful Interactive Drama where the user can act as a character in the story requires not only finding an algorithmic solution for combining interactivity and narrativity, but also interfacing those algorithms with the user. This paper focuses on the way in which the user can choose the actions of the character. Three specific issues are discussed: the variety of choices proposed to the user, the need for the user to anticipate his/her future possibilities for actions and the time necessary to enter the action. This allows us to propose a taxonomy of different user interfaces and to evaluate the advantages and drawbacks of each category of interface. This should serve as a guideline for the design of user interfaces for Interactive Drama.

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”Just Talking about Art” – Creating Virtual Storytelling Experiences in Mixed Reality

Cited by 16 publications

References 4 publications

Towards minimalism and expressiveness in interactive drama

Towards minimalism and expressiveness in interactive drama

Reconsidering Manifesta 10: Big Exhibition Project as Narrative

Stepping into the Interactive Drama

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