Juan José Carreras y otros, Historia de la música en España e Hispanoamérica: 5. La música en España en el siglo XIX. Madrid: Fondo de Cultura Económica, 2018, 752 pp.

Masa, Francisco Parralejo

doi:10.26754/ojs_historiografias/hrht.2019173833

Cited by 2 publications

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“…Barbieri also favored the idea of marking this inauguration by recasting a zarzuela by Calderón de la Barca (Casares 1994a, 190). On this historicist strategies, see Carreras (2018c). 44 Barbieri's strategy was similar to the one followed by those Italian musicians who were opposed to German musical ideas (Tedesco 2011).…”

Section: Notesmentioning

confidence: 93%

“…Likewise, it was habitually linked to a series of popular characters and plots. 2 For the Spanish case, see Carreras (2018a). See also Sánchez de Andrés (2013).…”

Section: Notesmentioning

confidence: 99%

“…Moreover, the economic difficulties of the Spanish aristocracy affected the old forms of patronage. Furthermore, the chronic financial weakness of the liberal state made it difficult to establish alternative musical institutions (Carreras 2018b;Casares 1995a, 33-39). 15 For their survival, musicians depended ever increasingly upon a fledgling musical marketplace.…”

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confidence: 99%

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Between Nationalism, Exoticism, and Social Distinction: The Spanish Lyric Drama in the 19th Century

Miralles

2022

Nationalities Papers

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Attempts to create a national opera in Spain repeatedly failed throughout the 19th century. Some authors have attributed this phenomenon to a deficit in the nationalization process. Others, to the contrary, have proved that there was a strong sense of Spanish national musicality from the middle of the 19th century onward. This article tries to explain this paradox underlining some essential elements that are not always attended by specialists: the importance of transnational, social, and economic dynamics that interfered in the process of the cultural construction of modern national identities. The projects of the Spanish nationalist intellectuals of the 19th century in relation to the definition of a national music were marked by the Romantic construction of Spanish musical exoticism, the new industry of entertainment, the existential situation of Spanish musicians, the formation of new artistic and musical fields, and the appearance of new forms of social distinction in the aftermath of the Spanish Liberal Revolution of the 1830s.

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Section: Notesmentioning

confidence: 93%

“…Likewise, it was habitually linked to a series of popular characters and plots. 2 For the Spanish case, see Carreras (2018a). See also Sánchez de Andrés (2013).…”

Section: Notesmentioning

confidence: 99%

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confidence: 99%

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Between Nationalism, Exoticism, and Social Distinction: The Spanish Lyric Drama in the 19th Century

Miralles

2022

Nationalities Papers

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“…De entre toda la producción académica sobre (historial) soundscape puede leerse una buena síntesis del devenir del concepto en Carreras, 2021. Es necesario mencionar los trabajos seminales por Schafer, 1977, traspasado a la musicología histórica por Strohm, 1990, en paralelo a la musicología urbana (Bombi, Carreras y Marín López, 2005), teorizada por Carter, 2002y 2018y Carreras, 2005; y ampliada en Knighton y Mazuela-Anguita, 2018, y problematizada en Piperno, Caputo y Senici, 2023. Además, son fundamentales las bases propuestas por Smith, 2004; y los acercamientos de Kelman, 2010o Vincent, 2015.…”

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Paisajes sonoros, cultura islámica y alteridad en el contexto ibérico del siglo XVI

Escrivà Llorca

2023

Hipogrifo

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Resumen. Este trabajo aborda la visión y el estudio del paisaje sonoro que involucra a elementos de cultura islámica en un largo siglo xvi en el mundo ibérico, especialmente en el área mediterránea: desde la conquista de Granada en 1492 y el comienzo de la expulsión de los moriscos en 1609. A partir de la documentación cristiana conservada, la iconografía y crónicas varias se muestran ejemplos del impacto sonoro, la colonización sonora y la percepción cambiante a partir de enfoques preorientalistas, las visiones diversas del universo morisco y los cambios en la apreciación colectiva.Palabras clave. Paisaje sonoro; moriscos; otredad; cultura islámica; islam; musicología histórica.

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Juan José Carreras y otros, Historia de la música en España e Hispanoamérica: 5. La música en España en el siglo XIX. Madrid: Fondo de Cultura Económica, 2018, 752 pp.

Cited by 2 publications

References 0 publications

Between Nationalism, Exoticism, and Social Distinction: The Spanish Lyric Drama in the 19th Century

Between Nationalism, Exoticism, and Social Distinction: The Spanish Lyric Drama in the 19th Century

Paisajes sonoros, cultura islámica y alteridad en el contexto ibérico del siglo XVI

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