Journalisme immersif et empathie : l’émotion comme connaissance immédiate du réel

Ferjoux, Céline; Dupont, Émilie

doi:10.4000/communiquer.5477

Cited by 4 publications

(2 citation statements)

References 30 publications

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“…In terms of content, immersive media projects demonstrate the dominance of the long-established visualization trend as a consequence of the content strategies transition from rationality to emotional influence [3]. According to Novikov and Kiriya, "the audience is less and less interested in knowing what is happening in the territories controlled by ISIS.…”

Section: Immersion As a Communication Strategymentioning

confidence: 99%

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Immersive Technologies in Media: Towards the Concept of Generative Mediatization?

Shilina

Wirth

2021

Vestn. Ross. univ. družby nar., Ser. Literaturoved. žurnal.

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The practices of so-called immersive media have been developing in the past few years. The immersive media situation characteristics, infrastructure, content and social aspects have been identified through the use of a multilevel structural and functional methodology, and make it possible to fix its specificity at all levels. The new format of the immersive media situation leads to changes in approaches to the mediatization studies. In the article, to study the media immersive communicative situation a generative approach is proposed for the first time. It is relevant to topological thinking, and to the modern immanent picture of the world, when a person and technology co-create a new form. Along with the generative approach and generative design, the necessity of applying relevant paradigms and methods of psychology to form new theoretical and methodological foundations of immersive user-centric media communication is substantiated. Several new concepts and terms are introduced, in particular, the term immersive hypermediation, which is opposite to immediacy as a classical criterion of media effectiveness. As a result, the analysis of the essence and features of immersive media projects allows fixing the premises of immersive paradigm shift in mediatization studies.

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Section: Immersion As a Communication Strategymentioning

confidence: 99%

“…Nowadays, immersive journalism is a subcategory of journalism that uses technologies (e.g. VR) to provide engaging in such technologies with a sense of being wholly engrossed in the news story [2], thus allowing the audience to form an impression of the story [3].…”

Section: Introductionmentioning

confidence: 99%

Immersive Technologies in Media: Towards the Concept of Generative Mediatization?

Shilina

Wirth

2021

Vestn. Ross. univ. družby nar., Ser. Literaturoved. žurnal.

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Les « larmes de rage » de l’émotion collective après les attentats du 13 novembre 2015 : la citation en discours direct dans les titres de presse

Seoane,

Chagnoux

2023

Folia Litteraria Romanica

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Loin des principes de neutralité et d’objectivité habituellement cultivés par les médias, les émotions peuvent être au coeur même d’articles de presse quand elles relèvent à la fois du sujet et du traitement qui en est fait. Cette question de la saillance des émotions face à l’actualité a été particulièrement notable lors des attentats qui ont affectés Paris en 2015. Nous analyserons ici ce phénomène à l’oeuvre dans les titres d’articles publiés le 14 novembre, au lendemain de ces événements, quand l’information se cristallisait dans la stupeur, l’horreur et l’effroi. Nous montrerons comment l’utilisation du discours direct, en rapportant la parole de victimes, de soignants, de témoins ou de simples citoyens, a permis de construire une mosaïque émotionnelle collective, éminemment nécessaire pour appréhender la douleur avant l’étape du deuil et de la compréhension des événements qui venaient de se dérouler.

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Spatial audio and immersive journalism: production, narrative design, and sense of presence

Vicente

Pérez-Seijo

2022

EPI

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This article presents the findings from an experimental study on the use of binaural audio in two long-form journalistic features broadcast on Portuguese radio. From a production and narrative design perspective, our objective is to examine whether/how binaural audio implies a transformation of previously established news radio production work principles and practices, as well as of storytelling ideation and techniques. From a user experience viewpoint, we examine whether the use of binaural audio translates into higher levels of self-reported immersion and place illusion (n = 77). Despite the spread of new audio journalism formats, media and communication studies have until now largely neglected the role of spatial audio in the construction of immersion and the illusion of place. We argue that this epistemic omission translates into an image-centric conception and operationalization of the immersive journalism proposal, which stands out as a knowledge gap regarding the work of journalistic storytellers and relating to participants’ actual experience. The original contribution of this article is threefold: (1) conceptual, by broadening the perspective of journalism studies’ scholars and media professionals on the concept of immersive journalism, which, in our view, is often incorrectly considered to be synonymous with that of virtual reality journalism; (2) practical, by generating a more nuanced understanding of how actual practitioners perceive and employ immersive journalism; (3) phenomenological, by developing an examination of the factors that influence listeners’ ultimate perception of the immersive experience.

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Journalisme immersif et empathie : l’émotion comme connaissance immédiate du réel

Cited by 4 publications

References 30 publications

Immersive Technologies in Media: Towards the Concept of Generative Mediatization?

Immersive Technologies in Media: Towards the Concept of Generative Mediatization?

Les « larmes de rage » de l’émotion collective après les attentats du 13 novembre 2015 : la citation en discours direct dans les titres de presse

Spatial audio and immersive journalism: production, narrative design, and sense of presence

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