José Vicente Asuar y el COMDASUAR

Fuentes, Claudio; Schumacher, Federico

doi:10.24215/18530494e033

Cited by 1 publication

(2 citation statements)

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“…Unlike the first two, the third musical production system (henceforth “third system”) is characterized by the fact that sounds can be stored, organized in storage media, and played over speakers to be listened to. Brnčić (2004) labeled this third system “speaker culture.” Here, creation occurs mainly through the use of speakers or headphones to listen to music (Fuentes & Schumacher, 2021).…”

Section: The Evolution Of Music As Viewed From the Social Sciencesmentioning

confidence: 99%

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Creating on the brink of the abyss: Toward an understanding of subjective experience in artistic work.

Toval-Gajardo¹,

Larraín²,

Roy³

2023

Journal of Theoretical and Philosophical Psychology

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With the progress of new technologies, a democratization of culture has expanded music-making. This has led many music artists to work independently, recording, producing, and managing their music from their own homes. In parallel, researchers have recently documented the vulnerability and structural precariousness of the music world: The work of musicians is informal, unregulated, and lacks the basic elements for sustaining a livelihood. Music psychology has not paid attention to these material conditions of production, focusing instead on the study of pleasure and well-being. Furthermore, work and organizational psychology research has devoted little attention to the musical and artistic fields. This article is aimed at theoretically exploring the subjective experience of artistic work, seeking to account for what drives artists to persist in their creative efforts despite the precarity. It is argued that music does not emerge as an individual and rational choice: music as art envelops and traps, keeping those who work on it on the brink of an abyss, without letting them go, because they fulfill a key social function that cannot be wholly incorporated into society’s productive structure. Artistic work can be sustained by means of effective social bonds for the production and transformation of life. Bearing all this in mind, this article makes it possible to articulate different research traditions that have so far developed in isolation.

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Section: The Evolution Of Music As Viewed From the Social Sciencesmentioning

confidence: 99%

“…Brnčić (2004) labeled this third system "speaker culture." Here, creation occurs mainly through the use of speakers or headphones to listen to music (Fuentes & Schumacher, 2021).…”

Section: The Evolution Of Music As Viewedmentioning

confidence: 99%