Art and Ethical Criticism 2008
DOI: 10.1002/9781444302813.ch12
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Jazz Improvisation and Ethical Interaction: A Sketch of the Connections

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Cited by 47 publications
(2 citation statements)
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“…They can serve as virtual rallying points for popular movements, such as Martha Reeves and the Vandellas’ Dancing in The Street for Black American civil-rights protesters (Shukaitis, 2008), or Zeca Afonso’s Grândola, Vila Morena for opponents of the Portuguese dictatorship in the 1970s. Hagberg (2011) makes a compelling case that precise analysis of how the improvisations of jazz musicians aid and constrain the other members of the ensemble can shed considerable light on the ethics of social interactions. Such a connection between musical groups and more general interpersonal interactions is developed in the context of management learning by O’Malley and Ryan (2006), Sutherland and Jelinek (2015) and Ippolito and Adler (2018) who found that taking a role in making music with others helped students to develop emotional and social competences.…”
Section: Learning With the Artsmentioning
confidence: 99%
“…They can serve as virtual rallying points for popular movements, such as Martha Reeves and the Vandellas’ Dancing in The Street for Black American civil-rights protesters (Shukaitis, 2008), or Zeca Afonso’s Grândola, Vila Morena for opponents of the Portuguese dictatorship in the 1970s. Hagberg (2011) makes a compelling case that precise analysis of how the improvisations of jazz musicians aid and constrain the other members of the ensemble can shed considerable light on the ethics of social interactions. Such a connection between musical groups and more general interpersonal interactions is developed in the context of management learning by O’Malley and Ryan (2006), Sutherland and Jelinek (2015) and Ippolito and Adler (2018) who found that taking a role in making music with others helped students to develop emotional and social competences.…”
Section: Learning With the Artsmentioning
confidence: 99%
“…За його висновком, «не існує жодної доброї речі, яка б не мала музичної будови, а музика, помимо того, що тішить дух, навертає людину до споглядання небесного і має ту властивість, що все, до чого приєднується, робить досконалим» 5 . В наступні віки розвиток музичного мистецтва став причиною «виникнення зразків піднесеної релігійності, екзальтованості і інтелектуалізму в музиці 6 . Прикладом може слугувати творчість визначного композитора XVIII століття, Йоганна Себастьяна Баха, який написав музичні «твори, сповнені духовності і містичного оптимізму, що належать вічності, звернені до Бога» 7 .…”
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