Abstract:Carnival war was born during the brief but intense cultural moment of the Shanghai-Nanjing campaign when new literary, technological, military, and social forces swept into the Japanese home front. Out of this volatile maelstrom, mass media organs spawned the new wartime creatures of "thrills" and "speed" to reconfigure the violence of total war for mass consumption. Even with the fall of Nanjing and the fading of the war hysteria, these mediaconstructed phantasms continued to shape how intellectuals, reporter… Show more
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