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2010
DOI: 10.1177/0920203x09344907
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Japan as “Self ” or “the Other” in Yoshinori Kobayashi’s On Taiwan

Abstract: This article is an attempt to demonstrate how and through which social practices Taiwan’s past colonial experiences have been discursively produced in a certain way and what other alternatives have been excluded from this process. The article scrutinizes the controversy surrounding a Japanese manga On Taiwan, a book that provides a very positive evaluation of the legacy of Japanese colonialism in Taiwan. Through analyzing statements, utterances, and conducts concerning this manga that were produced by those wh… Show more

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Cited by 8 publications
(3 citation statements)
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“…Politicians, academics, and online netizens debated whether On Taiwan should be banned in Taiwan. As scholar Yih‐Jye Hwang has argued, the controversy laid bare how different swaths of Taiwanese society understood the Japanese colonial era (Hwang, 2010). Lee Teng‐hui was interviewed by Kobayashi, who in turn publicly valorized Lee as a true inheritor of the Japanese spirit.…”
Section: Trauma and Memorymentioning
confidence: 99%
“…Politicians, academics, and online netizens debated whether On Taiwan should be banned in Taiwan. As scholar Yih‐Jye Hwang has argued, the controversy laid bare how different swaths of Taiwanese society understood the Japanese colonial era (Hwang, 2010). Lee Teng‐hui was interviewed by Kobayashi, who in turn publicly valorized Lee as a true inheritor of the Japanese spirit.…”
Section: Trauma and Memorymentioning
confidence: 99%
“…Although Japan has remained an important Other in Chinese (and Taiwanese) narratives in the post-war period — not least ones related to history ( Gustafsson, 2011 ; Hwang, 2010 ; Sejrup, 2012 ; Suzuki, 2007 ) — very few works speak of China as an object of collective Japanese imagination in the post-war period ( Kano, 1976 , is one exception). Only when it began to appear obvious that the Chinese modernisation drive from 1978 onwards had succeeded did China again start to loom larger in Japanese discourses ( Hosoya, 2012 ; Togo, 2012 ; quite as predicted by Oe, 1995 ; and Befu, 2001 ).…”
Section: Japanese Identity and Differencementioning
confidence: 99%
“…In this context, revisionist comic books or manga, and particularly the highly controversial works of Kobayashi Yoshinori, a one-time member of the JSHTR, became one of the most popular subjects in the debates over Japan's historical memory and national identity. These works were scrutinized in a number of scholarly works both in Japanese and English, the majority of which engage in a critical analysis of the ideas advocated in these texts (Uesugi 1997(Uesugi , 2000East Asian Network of Cultural Studies 2001;Clifford 2004;Morris-Suzuki 2005: 185-205;Sakamoto 2008;Hwang 2010).…”
Section: Introductionmentioning
confidence: 99%