Abstract:The present paper approaches the self-destruction mechanisms in Thomas Bernhard’s prose works – at the level of the construction of characters, language and the image of the disintegrating world and objects. The protagonists stay in places of extreme isolation, which is both a prison and a salvation, and they put their own destruction (die Selbstzerstörung) under obsessive control. The existence of these disturbances (die Störungen) in the analyzed texts has a psychological but also a historiosophical basis.
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