2015
DOI: 10.1093/melus/mlv011
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Iterations of War and Its Literary Counterforces: Vaddey Ratner's In the Shadow of the Banyan and Kosal Khiev's Why I Write

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Cited by 2 publications
(1 citation statement)
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“…Ratner's redemptive witnessing thus moves beyond the brute particularities of the historical genocide and Cambodian mythopoeic registers to construct a utopian, borderless realm where the human is marked by its transcendence, remaining 'responsible to history while importantly unconstrained by it'. 48 In Music of the Ghosts, Ratner focuses on the transformative power of music, an intangible and ephemeral mode of remembrance, to index healing. 49 Music in Cambodia marks memorialisation as healing, the rhythmic chants of monks and mourning songs (smot) by lay people 'placate both the minds of the living and the spirits of the dead'.…”
Section: Vaddey Ratner: the Art Of Healingmentioning
confidence: 99%
“…Ratner's redemptive witnessing thus moves beyond the brute particularities of the historical genocide and Cambodian mythopoeic registers to construct a utopian, borderless realm where the human is marked by its transcendence, remaining 'responsible to history while importantly unconstrained by it'. 48 In Music of the Ghosts, Ratner focuses on the transformative power of music, an intangible and ephemeral mode of remembrance, to index healing. 49 Music in Cambodia marks memorialisation as healing, the rhythmic chants of monks and mourning songs (smot) by lay people 'placate both the minds of the living and the spirits of the dead'.…”
Section: Vaddey Ratner: the Art Of Healingmentioning
confidence: 99%