Italiani brava gente: The Legacy of Fascist Historical Culture on Italian Politics of Memory

Fogu, Claudio

doi:10.1515/9780822388333-006

Cited by 7 publications

(11 citation statements)

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“…In fact, according to offices, as well as at train stations and other locations. 91 While ribs of rock were distributed in the tens of thousands, magnitizdat tapes numbered in the millions. 92 The Singers and their Songs…”

Section: History and Technologymentioning

confidence: 99%

“…Galich's first and last public concert was at the March 1968 national festival, sanctioned by the regime-the All-Russia Bard Concert with almost thirty performers. It lasted for three days and attracted 2,000 people, even though it was held far away from the center in 117 Cope,et al,"Sound Recordings,[88][89][90][91]et al,"Sound Recordings," 100,fn. 4.…”

Section: History and Technologymentioning

confidence: 99%

“…" between the post-fascist Italian State and the unification movement 90 : the struggles that materialized the genesis of the modern state were henceforth paired with the partisan war fought against the Germans from 1943 to 1945, an episode soon described as the "Second Risorgimento." 91 This narrative, which focused on remembering the biennio (1943)(1944)(1945), sought to give weight to the (mainly communist) resistance-and thus reinforce adherence to the relatively strong Communist Party-and to foster, through the risorgimental parallel, the "resurgence" trope reclaimed by the Catholics-who were another predominant political force in post-war Italy. 92 Moreover, the emphasis on the biennio allowed to supplant the ventennio in the Italian collective consciousness and thus promote a narrative that overshadowed the fascist past.…”

Section: Verdi Under Democracy Fascist Continuities?mentioning

confidence: 99%

“…58 The placement of signs, the pace of signing, and features of the movement, along with other visual cues, shape musical dynamics, accent, and tone. When asked about the use of dynamics within conversational communication, Marsh commented that Studies,[73][74][75][76][77][78][79][80][81][82][83][84][85][86][87][88][89][90][91] This section focuses on the space used by dip hop artists, based on ethnographic research and accounts from its practitioners, and, as such, does not provide a musical analysis of dip hop performances but rather explores a musical epistemology through this research.…”

Section: Dip Hop Performancementioning

confidence: 99%

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Music and Democracy

2021

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and Performing Arts Vienna. His research focuses on the history of music industries and musicians' organisations, music & politics, and music culture(s) of the late Habsburg Empire and its successor states.After Donald Trump's failed re-election as President of the United States of America in fall 2020, the Republicans' out-of-the-blue claims of "electoral fraud" is just one of countless warning signs: to varying extents and degrees, democracy is in great danger all over the world. Already in the early 2000s, Colin Croach noted a subtle but increasing demolition of-but also an increased disinterest in-political participation of the people, which he considered as main

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Section: History and Technologymentioning

confidence: 99%

Section: History and Technologymentioning

confidence: 99%

Section: Verdi Under Democracy Fascist Continuities?mentioning

confidence: 99%

Section: Dip Hop Performancementioning

confidence: 99%

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Music and Democracy

2021

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“…St¹d te¿ nawet te pañstwa i narody, którym zdarzy³o siê pope³niae okrutne zbrodnie w przesz³ooeci maj¹ tendencjê do budowania to¿samooeci narodowej w oparciu o rolê ofiary raczej, ni¿ sprawcy. C. Fogu wskazuje na przyk³ad w³oski, gdzie pozytywny wizerunek siebie silnie zaw³adn¹³ wyobraŸni¹ zbiorow¹ ograniczaj¹c mo¿liwooeae rozliczeñ z faszystowsk¹ przesz³ooeci¹ 39 . Podobne mechanizmy dzia³a³y we wszystkich krajach, zarówno tych, które na ró¿ne sposoby wspó³dzia³a³y z Niemcami hitlerowskimi (jak np.…”

Section: Pamiêae Zbiorowa a To¿samooeae Pañstwa I Narodu -Wymiar Miêdzynarodowyunclassified

Tożsamość i pamięć zbiorowa w badaniach politologicznych

Lipiński

2018

10.14746/pp

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The social sciences have experienced an unprecedented interest in the issue of collective memory dating back at least to the 1990s. There has been a veritable avalanche of studies into this topic, editorial series and periodicals have appeared devoted exclusively to it. Simulta- neously, an analysis of the literature on this topic shows that collective memory is not a partic- ularly frequent subject of political science research. It is therefore routine in many works of political scientists to acknowledge the limited number of studies on memory. All that does not mean that the trend has not begun slowly to change. The number of texts on the political as- pects of memory is systematically growing, there are editorial series and monographic issues of scientific periodicals concerning the issue of memory or the political instrumentalization of history. Political scientists are also co-authors of collective works and periodicals of an inter- disciplinary character. The objective of this paper is to analyze a single, but highly influential, issue related to political science research into memory, namely the topic of identity perceived from the perspective of collective memory. The purpose is not so much the exhaustive presen- tation of all the surveys into memory and collective identity in the field of political science but rather establishing the set of main concepts, themes and issues explored by political science literature written in English.

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‘Palermo is a mosaic’: cosmopolitan rhetoric in the capital of Sicily

Wyer

2024

Mod. Italy

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The political messaging of Leoluca Orlando, who served five terms as mayor of Sicily's capital, Palermo (most recently, until 2022), articulates a cosmopolitan vision of local identity. Orlando seeks to emphasise Palermo's ‘tolerant’ values, invoking the city's history to foster this image, as well as using a variety of rhetorical strategies. He portrays Palermo as having a true ‘essence’, which is necessarily multicultural. I analyse Orlando's pronouncements on his official Facebook page, as well as observing his audience's reactions to his messaging, both supportive and critical. I examine how Orlando articulates the narrative that Palermo has historically been a ‘mosaic’ of various cultural influences, proposing that the contemporary city is the ‘true’, welcoming face of the Mediterranean. As well as exploring the political utility Orlando sees in such arguments, I analyse the risks inherent in this essentialising project.

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Italiani brava gente: The Legacy of Fascist Historical Culture on Italian Politics of Memory

Cited by 7 publications

References 0 publications

Music and Democracy

Music and Democracy

Tożsamość i pamięć zbiorowa w badaniach politologicznych

‘Palermo is a mosaic’: cosmopolitan rhetoric in the capital of Sicily

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