Italian neorealism and the ‘woman’s film’: Selznick, De Sica and Stazione Termini

Abstract

As a screenwriter, I don't consider Stazione Termini a document of my neorealist career, because the Italian-American co-production watered down whatever neorealist seed there was in it (the examination of a very restricted space and time).Cesare Zavattini, 'A Thesis on Neorealism' 1