2017
DOI: 10.1080/09589236.2017.1399867
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Is masculinity ‘deteriorating’ in China? Changes of masculinity representation in Chinese film posters from 1951 to 2016

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Cited by 18 publications
(11 citation statements)
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“…It proves Fincher's (2016) argument that the ACWF exists to prevent the emergence of any independent women's movement, not to provide a platform for the voice of women. Moreover, this research agrees with scholars on Chinese fatherhood (Hu, 2018;Li, 2018) that education has become a key role of transforming fatherhood, with a diminished preference for sons in the reform era.…”
Section: Conclusion and Discussionsupporting
confidence: 88%
“…It proves Fincher's (2016) argument that the ACWF exists to prevent the emergence of any independent women's movement, not to provide a platform for the voice of women. Moreover, this research agrees with scholars on Chinese fatherhood (Hu, 2018;Li, 2018) that education has become a key role of transforming fatherhood, with a diminished preference for sons in the reform era.…”
Section: Conclusion and Discussionsupporting
confidence: 88%
“…For example, Eagly et al (2020) meta-analysis about gender stereotypes have demonstrated that the perception of women's advantage in affect and emotion and the perception of equality in competence increased over time. Hu's (2018) study shows that the media representation of Chinese men has become "softer" and more diverse in China since 1951. In addition, changes might also happen in individuals' different life cycles.…”
Section: Gender Differences In Political Discussion: An Intergroup Perspectivementioning
confidence: 99%
“…Such emergent soft masculinity embedded in the idol image of ‘Azhong-Brother’ has become a popular trend in the depictions of both heterosexual and homosexual men in recent years (Wang et al, 2019), and challenges the soldier image of Azhong-Brother with the normative and traditional hegemonic masculinity in China (e.g. ‘yanggangzhiqi’ or ‘wu’ attribute; Louie, 2002) that emphasizes physical power and assertiveness (Hu, 2018; Louie, 2012). From the perspective of this ‘soft versus hegemonic’ masculinity, we believe that the images of Azhong-Brother embodied two contrasting masculinities, causing the symbolic contestation within this symbol.…”
Section: Discussionmentioning
confidence: 99%