Abstract:This chapter addresses the representation of Edward II’s agency and
culpability in his sexual and political relationships with his favourites. I
situate depictions of Edward’s favourites as irresistibly attractive in the
context of wider early modern cultural anxiety concerning transgressive
sexual attraction; and consider medieval and early modern writers’
changing negotiations of the question of Edward’s culpability for the
disastrous political events of his reign compared to th… Show more
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