Irving Berlin's American Musical Theater 2012
DOI: 10.1093/acprof:oso/9780195398267.003.0001
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Irving Berlin’s Theater

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“…To create his songs, he relied on a musical secretary to write down melodies that Berlin often dictated as he paced around the room, or that he picked out on the piano." 113 In Berlin's case, if we want to examine a putative "autograph source" for, for example, Annie Get Your Gun we have to choose between items such as a fair copy of a song in the hand of Helmy Kresa (one of his amanuenses) and a scrap of paper containing part of a lyric in Berlin's own hand. 114 His musical invention was endless, but in terms of producing scores he almost never used musical notation to make his mark.…”
Section: Settling the Scores: Broadway Composers As Musical Collaboramentioning
confidence: 99%
“…To create his songs, he relied on a musical secretary to write down melodies that Berlin often dictated as he paced around the room, or that he picked out on the piano." 113 In Berlin's case, if we want to examine a putative "autograph source" for, for example, Annie Get Your Gun we have to choose between items such as a fair copy of a song in the hand of Helmy Kresa (one of his amanuenses) and a scrap of paper containing part of a lyric in Berlin's own hand. 114 His musical invention was endless, but in terms of producing scores he almost never used musical notation to make his mark.…”
Section: Settling the Scores: Broadway Composers As Musical Collaboramentioning
confidence: 99%