2005
DOI: 10.1080/09502380500365473
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Invoking Affect

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Cited by 620 publications
(89 citation statements)
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“…The canvases are a set of the visualisations of landscape cultures in the Lake District, these have been a response to historical and canonised narrations. In this regard I have also sought to trouble the affectual approach to social science research, by insisting that 'race' and power figure in the possibilities of affectual encounter, but also form social identities and in turn, social landscapes (Hemmings, 2005) by the 'mobile' English, migrants, and communities of visitors that form the maelstrom of material practices that carve out the modern Lake District experience. Wordsworth in his own guide to the Lake District describes it as being 'a sort of national property, in which every man has a right and an interest who has an eye to perceive and a heart to enjoy' (quoted in Matless, 1998, p251).…”
Section: Resultsmentioning
confidence: 99%
“…The canvases are a set of the visualisations of landscape cultures in the Lake District, these have been a response to historical and canonised narrations. In this regard I have also sought to trouble the affectual approach to social science research, by insisting that 'race' and power figure in the possibilities of affectual encounter, but also form social identities and in turn, social landscapes (Hemmings, 2005) by the 'mobile' English, migrants, and communities of visitors that form the maelstrom of material practices that carve out the modern Lake District experience. Wordsworth in his own guide to the Lake District describes it as being 'a sort of national property, in which every man has a right and an interest who has an eye to perceive and a heart to enjoy' (quoted in Matless, 1998, p251).…”
Section: Resultsmentioning
confidence: 99%
“…When fat bodies are so habitually made the object of affective transfer rather than its subjects (Hemmings, 2005), the unexpected freedoms of guilt-free consumption, the pleasures of bodily solidity and the liberation from shamefilled daily encounters with scales all signal a re-orientation, however ambivalent towards fat constituting what (ardy describes as new tissues of affective experience )n short the materiality of a fat body that is experienced as amazing is very differently constituted to both the playfully wobbled body of the heroically (fake) fat swimmer and the abjectly (real) fat body that is the target of the war on obesity An analytical focus on the affective dimensions of embodied experiences of swimming fatness highlights the moral and ideological assumptions about fatness that seep out in the emerging spaces between the entrenched certainties of the contemporary hatred of fat.…”
Section: Resultsmentioning
confidence: 99%
“…El afecto, como él lo dice, "escapa del confinamiento" (2002, p. 228 (Sedgwick & Fran, 2003). Como lo cuenta Clare Hemmings (2005), la militancia Deuleziana de Massumi por un lado y la influencia de Tomkins en Sedgwick por el otro; impulsaron a Guiles Deleuze y Silvan Tomkins como una pareja poco probable que domina el imaginario contemporáneo del afecto en la teoría cultural 5 .…”
Section: Podemos Revisar Una Serie De Antecedentes En La Precuela Delunclassified