“…Choi and Ko, 2014), conservation evaluation (Jun et al, 2008;Jo and Lee, 2009;Soler et al, 2017;Sánchez-Aparicio et al, 2018), monitoring (Kim and Lee, 2017;Wilson et al, 2018), reassembly (Lee and Han, 2015;Zhang et al, 2018), and content creation (Machidon et al, 2018) based on scanned data. In particular, as these digital technologies become integrated with 3D printing technology, their scope of application is becoming wider, extending to cultural heritage restoration, replication, and education (Lee and Wi, 2015;Balletti et al, 2017;Katz, 2017;Xu et al, 2017;Keles and Yaman, 2018;Shin and Hwang, 2018;Ford and Minshall, 2019).…”