2018
DOI: 10.1002/xrs.2951
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Investigation of the pigment use in the Tomb of the Reliefs and other tombs in the Etruscan Banditaccia Necropolis

Abstract: The pigment use in the Tomb of the Reliefs (fourth century BC) and four other tombs (seventh to fourth century BC) in the Etruscan Banditaccia Necropolis near Cerveteri, Italy, has been investigated. We made use of X‐ray fluorescence (XRF) and Raman spot analysis, XRF imaging, infrared luminescence and photography supported by Dstretch contrast enhancement. We identified the use of haematite, goethite, calcite, carbon black, manganese oxide, Tyrian purple, and Egyptian blue, with the last three only found unde… Show more

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Cited by 17 publications
(8 citation statements)
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References 25 publications
(38 reference statements)
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“…Moonmilk deposits were not present in tombs of the Etruscan necropolises of Sarteano (Siena) (Pallecchi et al ., 2009) and Cerveteri (Rome) (Alfeld et al ., 2018). However, these tombs were excavated from travertine (a limestone) and tuffs (formed from volcanic ash), respectively.…”
Section: Resultsmentioning
confidence: 99%
“…Moonmilk deposits were not present in tombs of the Etruscan necropolises of Sarteano (Siena) (Pallecchi et al ., 2009) and Cerveteri (Rome) (Alfeld et al ., 2018). However, these tombs were excavated from travertine (a limestone) and tuffs (formed from volcanic ash), respectively.…”
Section: Resultsmentioning
confidence: 99%
“…Furthermore, detectors with a larger detection area (or more than one detector in combination) highly increase the detected signal, speeding the measurement time up. Moreover, the size and the portability of these system allows to analyze samples with different dimensions, from manuscripts to large paintings [32][33][34][35][36], not only in museums or archives but also in archaeological sites [37], extending in this way the advantages of this kind of analysis to all the possible objects of the CH world. Besides, the higher spatial resolution has opened new possibilities for this technique, which allows not only to analyze the composition of the artist palette, or the presence of underdrawings, but that is also capable of recovering degraded and illegible daguerreotypes [38].…”
Section: State Of the Art Instruments And Methodsmentioning
confidence: 99%
“…It also proved its value in the study and conservation of two water‐saturated wooden objects from a 17th‐century shipwreck 4 . XRF has aided in improving the understanding of historical changes in human‐environment interactions related to obsidian procurement in central Japan during the Upper Paleolithic and provided insights into the pigment used in painted reliefs of fourth‐century BC Etruscan tombs 5,6 . XRD, SEM–EDS, and FT‐IR were effectively utilized together to study uncommon copper alloy artifacts dating back to the eighth‐century BC and their complex degradation phenomena to develop strategies for long‐term conservation 7 .…”
Section: Introductionmentioning
confidence: 99%