The significant put in crisis related to city, coupled to the renewed attention in confront of extra-urban context (inner territories), has rekindled the spotlights on countryside, as to semi-inhabited land, even to re-encode. This research is proposed to foreshadow a possible interpretative key on next future’s inhabit (under specific conditions), in the light of some visible changes which have already flourished in the Now, by using project as checking exercise of theorical research. Verona is scientific test bench, in which dualism city-countryside vanishes to the advancing of the wide and dense definition of «post-urban landscape». A vegetal-built basement, that radiates its tentacles in open/not-bound field, renewed cathedral protectress of life and evolution, structured (with project’s rules) with Super-Cartesian layers giving rise to a Hyper-rational mesh, jeopardized from obsessive and frequent interference. Chameleon monoliths, fixed objects in Continuous Movement as paradoxical reply to mutual adaptation’s dwelling, in which «not the strongest will survive, but the most suitable». This ability to adaptations is the key point on tomorrow’s questions, according to inhabiting as a form of «stamina», without that the rigid streamlining reduced dwelling to legislative and tabular count; but, going back to crucial questions involving, will always involve, the first and the last man. Psychedelic spatiality in which techè, shape and response line up in restless and controversial out-of-scales, as skeletal membranes. Super-Architectures, as total tool for life’s governance, unusual and redundant, last devices that translate culture and society’s knowledge.