Intuitive Control of Rolling Sound Synthesis

Conan, Simon; Aramaki, Mitsuko; Kronland‐Martinet, Richard; Ystad, Sølvi

doi:10.1007/978-3-642-41248-6_6

Cited by 2 publications

(1 citation statement)

References 26 publications

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“…With a source-resonator model, it is possible to synthesize friction sounds by reading a noise wavetable with a velocity linked to the velocity of the gesture and filtered by a resonant filter bank adjusted to model the characteristics of the object which is rubbed or scratched (see figure 1) [7,8]. The noise wavetable represents the profile of the surface which is rubbed.…”

Section: A Synthesis Model Of Friction Soundsmentioning

confidence: 99%

Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds

Thoret

Aramaki

Kronland‐Martinet

et al. 2013

From Sounds to Music and Emotions

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Abstract. Even though we generally don't pay attention to the friction sounds produced when we are writing or drawing, these sounds are recordable, and can even evoke the underlying gesture. In this paper, auditory perception of such sounds, and the internal representations they evoke when we listen to them, is considered from the sensorimotor learning point of view. The use of synthesis processes of friction sounds makes it possible to investigate the perceptual influence of each gestures parameter separately. Here, the influence of the velocity profile on the mental representation of the gesture induced by a friction sound was investigated through 3 experiments. The results reveal the perceptual relevance of this parameter, and particularly a specific morphology corresponding to biological movements, the so-called 1/3-power law. The experiments are discussed according to the sensorimotor theory and the invariant taxonomy of the ecological approach.

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Section: A Synthesis Model Of Friction Soundsmentioning

confidence: 99%