The Cambridge Companion to Fantasy Literature 2012
DOI: 10.1017/ccol9780521429597.002
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Cited by 6 publications
(5 citation statements)
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“…Other celebrated contemporary fantasy writers include Brandon Sanderson, NK Jemisin, Philip Pullman, and Lois McMaster Bujold, as well as Robin Hobb, Cassandra Clare, China Miéville and Susanna Clark. Emergent fantasy genres now include, alongside "high fantasy", "low fantasy" and "weird tales", urban fantasy, grimdark, mythpunk, paranormal romance and the "new weird" (James and Mendlesohn 2012). Additionally, under the inclusive description that I provide in this article, fantasy literature would also include horror fiction, when this unambiguously contains supernatural elements.…”
Section: Describing Fantasymentioning
confidence: 99%
“…Other celebrated contemporary fantasy writers include Brandon Sanderson, NK Jemisin, Philip Pullman, and Lois McMaster Bujold, as well as Robin Hobb, Cassandra Clare, China Miéville and Susanna Clark. Emergent fantasy genres now include, alongside "high fantasy", "low fantasy" and "weird tales", urban fantasy, grimdark, mythpunk, paranormal romance and the "new weird" (James and Mendlesohn 2012). Additionally, under the inclusive description that I provide in this article, fantasy literature would also include horror fiction, when this unambiguously contains supernatural elements.…”
Section: Describing Fantasymentioning
confidence: 99%
“…As noted by Alexander (2018: 256), ‘genre structure is vitally important […] representing the core modality of the organization of narrative systems’. As opposed to its sibling genre – science fiction – fantasy still resists being segmented into clearly identifiable subgenres that most fans, critics, and writers agree on (James and Mendlesohn, 2012). It should also be borne in mind that the fantasy label is at the mercy of the television industry and publishing houses, whose subjective criteria and nuances may shift as much as those of critics and theorists.…”
Section: The Fantasy Genrementioning
confidence: 99%
“…Some of the major theorists in the field such as Tzvetan Todorov, Rosemary Jackson, WR Irwin, and Colin Manlove seem to agree on the fact that fantasy is ‘about the construction of the impossible’ (James and Mendlesohn, 2012: 1). Fantasy is a narrative that relies on the manifest violation of what is often considered or accepted as possible and, critically, it has been a term applied to any kind of literature (and extended to TV series that share similar thematic characteristics) that does not prioritize realistic representation (Jackson, 1981).…”
Section: The Fantasy Genrementioning
confidence: 99%
“…Literature has been proven to be an excellent tool for fostering language acquisition and literacy (Dovchin & Lee, 2019;Carter, 2016). Using literary texts also raises essential problems about the function of cultural, identity, and language diversity in the classroom (Kramsch, 1993;James & Mendlesohn, 2003).…”
Section: Translanguaging and Pedagogical Stylistics: Do They Intersect?mentioning
confidence: 99%