Introduction to the special issue on interactive sonification

Yang, Jiajun; Hermann, Thomas; Bresin, Roberto

doi:10.1007/s12193-019-00312-z

Cited by 5 publications

(2 citation statements)

References 8 publications

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“…Interactive sonification can be described as a specialized research topic within the field of sonification, in which a human user modifies the sonification process in an interactive control loop [Yang et al 2019]. According to Hermann and Hunt, interactive sonification is defined as 'the discipline of data exploration by interactively manipulating the data's transformation into sound' [Hermann and Hunt 2004].…”

Section: Interactive Sonificationmentioning

confidence: 99%

Musical Smart City: Perspectives on Ubiquitous Sonification

Sarmento,

Holmqvist,

Barthet

2020

Preprint

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Smart cities are urban areas with sensor networks that collect data used towards efficient management. As a source of ubiquitous data, smart city initiatives present opportunities to enhance inhabitants' urban awareness. However, making sense of smart city data is challenging and there is a gap between available data and end-user applications. Sonification emerges as a promising method for the interpretation of smart city data and the production of novel musical experiences. In this paper, we first present the smart city paradigm. We then cover the topics of ubiquitous and mobile music, followed by an overview of sonification research. Finally, we propose an approach entitled ubiquitous sonification and present the initial design of a speculative use case for musical smart city systems, leveraging user and urban data to inform behaviour.

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Section: Interactive Sonificationmentioning

confidence: 99%

Musical Smart City: Perspectives on Ubiquitous Sonification

Sarmento,

Holmqvist,

Barthet

2020

Preprint

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“…Research through design [2] or embedded design research has recently become more pervasive for auditory display designers. Following the progression of developments in auditory displays and the multimodal community [5,13], this special issue aimed at embracing all types of "design" activities as a necessary process in auditory displays and sonification.…”

Section: Introductionmentioning

confidence: 99%

Auditory displays and auditory user interfaces: art, design, science, and research

Jeon

Andreopoulou

Katz

2020

J Multimodal User Interfaces

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For almost 3 decades, research on auditory displays and sonification has been well advanced. Now, the auditory display community has arrived at the stage of sonic information design with a more systematic, refined necessity, going beyond random mappings between the referents and sounds. Due to its innate transdisciplinary nature of auditory display, it would be difficult to unify the methods to study it. This special issue covers a diverse collection of approaches to auditory displays, involving art, design, science, and research. Accordingly, the works in the present special issue included new theories, frameworks, methods, and applications about auditory displays and auditory user interfaces. We hope that this special issue can provide the state of art of auditory display research and auditory user interface design, offering fresh inspiration and motivation to researchers and designers for their future works.Publisher's Note Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

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A Phenomenological Approach to Wearable Technologies and Viscerality: From embodied interaction to biophysical music performance

Giomi

2023

Org. Sound

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During the past decade, embodied knowledge has provided novel important insights to rethink mediation technology, thereby paving the way for a transdisciplinary approach to wearable technologies. Stemming from a phenomenological-based approach and considering current trends in sonic interaction design, this article proposes an extensive account on embodied approaches to mediation technology and underlines the increasing importance of somatic knowledge within the field. It also presents an autoethnographic analysis of my own performance, which provides an original contribution to the artistic application of wearable technologies. Stemming from an ongoing research-creation on musical improvisation with biophysical technologies, the case study emphasises how an embodied and visceral approach to interaction can transform wearable devices into an active sensory-perceptual mode of experiencing, which is capable of stimulating the performer’s sensorimotor metaplasticity. The reconfiguration of a body’s automations through the use of sound feedback is a process that unfolds with a high degree of sensitivity in which the body can be poetically understood as an emergent territoriality, inhabited and transfigured by the sound.

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Introduction to the special issue on interactive sonification

Cited by 5 publications

References 8 publications

Musical Smart City: Perspectives on Ubiquitous Sonification

Musical Smart City: Perspectives on Ubiquitous Sonification

Auditory displays and auditory user interfaces: art, design, science, and research

A Phenomenological Approach to Wearable Technologies and Viscerality: From embodied interaction to biophysical music performance

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