Abstract:This book aims to create a space for historians and theatre scholars to continue a dialogue about the relationship between representations of politics in the theatre and the theatricality of politics itself in the long nineteenth century. Our aim is to provoke as much as to synthesise.The period of our investigation, from the time of the Napoleonic wars to the early twentieth century, resists synthesis. This is not a unified period, spanning the agitations and suppressions of democratic culture in Britain in t… Show more
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