2014
DOI: 10.1007/s10912-014-9319-z
|View full text |Cite
|
Sign up to set email alerts
|

Introduction: Spatial Perspectives and Medical Humanities

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
7
0

Year Published

2017
2017
2019
2019

Publication Types

Select...
5
1

Relationship

1
5

Authors

Journals

citations
Cited by 9 publications
(7 citation statements)
references
References 9 publications
0
7
0
Order By: Relevance
“…Hence, following Atkinson et al (, p. 4), the paper traverses health, emotional, environmental and political concerns, and works with diverse concepts and literatures in a manner that allows for multiple entry points and connectivities surrounding the topics of creativity, mortality and “survival”. This has produced a varied, holistic and perhaps unusual account of breast cancer and here there is appreciation that the aesthetic can accommodate “a diverse set of volatile ideas” (Hawkins & Straughan, , p. 19).…”
Section: A Creative Methodology: Making Autobiographical Bricolagementioning
confidence: 99%
See 1 more Smart Citation
“…Hence, following Atkinson et al (, p. 4), the paper traverses health, emotional, environmental and political concerns, and works with diverse concepts and literatures in a manner that allows for multiple entry points and connectivities surrounding the topics of creativity, mortality and “survival”. This has produced a varied, holistic and perhaps unusual account of breast cancer and here there is appreciation that the aesthetic can accommodate “a diverse set of volatile ideas” (Hawkins & Straughan, , p. 19).…”
Section: A Creative Methodology: Making Autobiographical Bricolagementioning
confidence: 99%
“…An aesthetics of precarity can thus create a space for a critical stance, to enable “a way of inhabiting space, a particular location, a way of looking and becoming” (hooks, , p. 122). It is a way of knitting together the mind and body, but not simply through a “(re‐)integration of that which has become fragmented, a return to wholeness and unity of body, mind and spirit” (Atkinson et al., , p. 2) – for such an ontological security and completeness is impossible once death has been glimpsed – but it is rather an intimate way of “opening one's being to the world” (Sherry & Schouten, , p. 223), a way “to keep on living until you feel alive again” (Madge, , p. 223). Indeed, through precarious creativity one can assert existence, “survival”, life itself, while still “attending to the realities of death that are always on the horizon of life” (Ehlers, , p. 346).…”
Section: Precarious Creativity: Becoming Less Uncomfortable With the mentioning
confidence: 99%
“…Momentary and in situ engagement with mental health conditions opens up the possibility to gauge the extent to which categories of (dis)ability and bodily capacity arise in specific social and geographical contexts. It acknowledges that no one human being is always (dis)abled in the same manner, but rather his or her bodily potentials and capacities emerge with and through specific social and locational engagements (Leder 1990;Atkinson, Foley, and Parr 2015). Hence, the capacities of the (dis)abled body resonate with the capacities of the spatial situation in affecting the body that unfolds with every new moment (Hansen 2002;Hansen and Philo 2007).…”
Section: A Geography Of Tourette Syndromementioning
confidence: 99%
“…We saw some movement but little to suggest major differentiation. There has subsequently been deeper engagement with developments in social theory (Andrews et al ., ; Duff, 2016) as well as a more clearly evident embrace of the humanities (Atkinson et al ., ; Foley, ). Additional concerns have also emerged: scholarship on global health, non‐human health, and critiques of biomedicine and genomics (Brown et al ., ).…”
Section: Introductionmentioning
confidence: 99%