“…An aesthetics of precarity can thus create a space for a critical stance, to enable “a way of inhabiting space, a particular location, a way of looking and becoming” (hooks, , p. 122). It is a way of knitting together the mind and body, but not simply through a “(re‐)integration of that which has become fragmented, a return to wholeness and unity of body, mind and spirit” (Atkinson et al., , p. 2) – for such an ontological security and completeness is impossible once death has been glimpsed – but it is rather an intimate way of “opening one's being to the world” (Sherry & Schouten, , p. 223), a way “to keep on living until you feel alive again” (Madge, , p. 223). Indeed, through precarious creativity one can assert existence, “survival”, life itself, while still “attending to the realities of death that are always on the horizon of life” (Ehlers, , p. 346).…”