Introduction: Rural Cinema Exhibition and Audiences in a Global Context—Not Just a Slower Transition to Modernity

Gennari, Daniela Treveri; Hipkins, Danielle; O’Rawe, Catherine

doi:10.1007/978-3-319-66344-9_1

Cited by 2 publications

(1 citation statement)

References 9 publications

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“…3 Cfr. Allen, 2008Fuller-Seeley, 2008;Walters, 2008;Gaines, 2015;Zimmermann;Thissen, 2017;Treveri Gennari;Hipkins;O'Rawe, 2018;Neely, 2020. 4 Zimmermann;Thissen, 2017.…”

Section: Gardone Val Trompia's Movie Theatres a Case Study For The Ev...unclassified

La storia dell’esercizio cinematografico di provincia in tre momenti storici. Il caso di Gardone Val Trompia

Darelli

2023

Schermi

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The article uses a microhistorical approach to Gardone Val Trompia’s movie theatres. Using archives, local newspapers and other sources, it retraces historical change in management’s forms of out-of-the-city exhibitors. The aim is to highlight their radical difference: never cinema-only venues and always entangled with the local administration and civil society. Three particular moments are discussed: the origins of rural cinema among politicized mutualistic societies; the dominance of non-profit venues during the fascist era, especially those managed by Opera Nazionale Dopolavoro; the renewal and ‘professionalization’ in the mid-1950s. It is also discussed how the government license impacted locally on the cinemas’ existence.

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“…3 Cfr. Allen, 2008Fuller-Seeley, 2008;Walters, 2008;Gaines, 2015;Zimmermann;Thissen, 2017;Treveri Gennari;Hipkins;O'Rawe, 2018;Neely, 2020. 4 Zimmermann;Thissen, 2017.…”

Section: Gardone Val Trompia's Movie Theatres a Case Study For The Ev...unclassified

La storia dell’esercizio cinematografico di provincia in tre momenti storici. Il caso di Gardone Val Trompia

Darelli

2023

Schermi

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A Place in the Past, a Moment in the Present: An Analysis on the Experience of Going to the Cinema in Eskişehir in the 1990’s with Oral History

ÖZKAR

2022

Selçuk İletişim

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From 1895 until today, many people have had the experience of going to the cinema. It can be said that this experience is lived by adhering to instant decisions and sometimes to a program. The experience of going to the movies varies by day, week, month, and especially year. This variable structure can be understood with an oral history study, which can reveal the memories of going to the cinema. The aim of this study, which was carried out within the framework of the oral history method, is to reveal the perceptions of the cinema venues and their experiences of going to the cinema by reaching the memories of the people who had the experience of going to the cinema in Eskişehir in the 1990’s. The problem of the study is to determine within the framework of which common themes these experiences are mostly lived. The study is important in that it conveys the experience of going to the cinema in Eskişehir in the 1990’s, based on the discourses of the people who had this experience, and that such a study for Eskişehir has not been included before. In the study, a total of 24 people were interviewed, and their experiences of going to the movies in those years were examined. As a result of the examination, it has been understood that there are important cinema venues that do not exist today, but that were the pioneers of socialization in those years, and that the situations specific to the 1990’s were included in the memories of going to the cinema.

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Introduction: Rural Cinema Exhibition and Audiences in a Global Context—Not Just a Slower Transition to Modernity

Cited by 2 publications

References 9 publications

La storia dell’esercizio cinematografico di provincia in tre momenti storici. Il caso di Gardone Val Trompia

La storia dell’esercizio cinematografico di provincia in tre momenti storici. Il caso di Gardone Val Trompia

A Place in the Past, a Moment in the Present: An Analysis on the Experience of Going to the Cinema in Eskişehir in the 1990’s with Oral History

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