Introduction – Creative Industries in Europe: Drivers of (New) Sectoral and Spatial Dynamics

Chapain, Caroline; Stryjakiewicz, Tadeusz

doi:10.1007/978-3-319-56497-5_1

Cited by 12 publications

(6 citation statements)

References 12 publications

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“…8 The information provided to NIMOZ by 261 museums in Poland with respect to the 2017-2018 reporting period includes responses to detailed questions on cooperation between museums and the CCIs. (Chapain and Stryjakiewicz 2017). 9 The 261 museums include 203 single-site institutions and 58 multi-site ones.…”

Section: Evaluating Museum Relations With Ccis In Terms Of the Potential For CCI Innovation: The Polish Casementioning

confidence: 99%

Do museums foster innovation through engagement with the cultural and creative industries?

Nogare

Murzyn‐Kupisz

2021

J Cult Econ

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The recent narrative on museums as catalysts of innovation and growth considers their relations with other cultural and creative industries (CCIs) to be very important. We argue that most relations museums establish with CCI firms and institutions are unlikely to produce strong positive externalities that make the latter more innovative. To prove this claim, we propose a conceptual framework qualifying project-based and supply chain relations between museums and CCIs as either strong, moderate, or weak links, according to their potential in terms of knowledge spillovers from museums to CCIs. We apply this taxonomy to data collected from 261 Polish museums. Our findings indicate that strong links are outnumbered by moderate and weak ones. We then suggest that the traditional missions of museums, in particular education and conservation, need to be more thoroughly assessed in terms of their direct and indirect contributions in order to fully capture the impact of museums on innovation in the wider economy.

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Section: Evaluating Museum Relations With Ccis In Terms Of the Potential For CCI Innovation: The Polish Casementioning

confidence: 99%

Do museums foster innovation through engagement with the cultural and creative industries?

Nogare

Murzyn‐Kupisz

2021

J Cult Econ

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“…2010;Lazzeretti, L. 2012;Musterd, S. and Kovács, Z. 2013;Chapain, C. and Stryjakiewicz, T. 2017. Secondly, country-based statistical analyses focusing on the macroeconomic position and regional pattern of creative economy have been mushrooming, e.g.…”

Section: Introductionmentioning

confidence: 99%

Changing geography of the creative economy in Hungary at the beginning of the 21st century

2018

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The Hungarian economy has gone through rapid transformation and modernization since the political changes of 1989/90. One of the signs of successful economic restructuring and reintegration to the world economy was the growing role of creative economy. In the present paper we analyse the changing geographical pattern of creative economy in Hungary, based on longitudinal statistical data. Our findings suggest growing core-periphery relations in the spatial pattern of creative economy, especially since the recent financial crisis. The relative weight of Budapest and its urban region has been continuously growing and even major regional centres are unable to keep pace with the Hungarian capital. We also found that cities in the Hungarian urban system became highly differentiated according to their attractiveness for creative firms and labour, and there is a growing competition among secondary cities for knowledge based and creative activities. The growing geographical concentration of the creative economy (especially the knowledge intensive industries) is partly the result of previous neoliberal regional and urban policies.

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“…La nivelul Uniunii Europene, distincția dintre industrii culturale și creative este formulată și statuată în documente oficiale și transpusă în politici oficiale și cadre de acțiune. "Industriile culturale sunt acele industrii ce produc și distribuie bunuri sau servicii care la momentul dezvoltării lor sunt considerate ca având atribute specifice, utilizări sau scopuri care reflectă sau transmit expresii culturale, independent de valoarea lor comercială (…) în timp ce industriile creative sunt acele industrii care utilizează cultura ca input și au o dimensiune culturală, deși output-urile sunt mai degrabă de natură funcțională" (Chapain și Stryjakiewicz, 2017). În analiza industriilor creative se utilizează frecvent și conceptul de mediu creativ, cu referire la diversitatea de resurse de a căror existență depinde dezvoltarea activităților creative (Stachowiak și Stryjakiewicz, 2017).…”

Section: Industrii Culturale șI Industrii Creativeunclassified

Culturepreneurs: Competitivitatea industriilor culturale și creative din Cluj-Napoca și zona metropolitană în context european

Oltean¹,

Angi²,

Pavel³

et al. 2021

Working Papers

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Introduction – Creative Industries in Europe: Drivers of (New) Sectoral and Spatial Dynamics

Cited by 12 publications

References 12 publications

Do museums foster innovation through engagement with the cultural and creative industries?

Do museums foster innovation through engagement with the cultural and creative industries?

Changing geography of the creative economy in Hungary at the beginning of the 21st century

Culturepreneurs: Competitivitatea industriilor culturale și creative din Cluj-Napoca și zona metropolitană în context european

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