Corrosion and Conservation of Cultural Heritage Metallic Artefacts 2013
DOI: 10.1533/9781782421573.1
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Introduction: conservation versus laboratory investigation in the preservation of metallic heritage artefacts

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Cited by 5 publications
(8 citation statements)
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“…The costs for corrosion damages are high on a global scale and therefore the mechanisms and effects of atmospheric corrosion on metals have been thoroughly analysed and described (Cramer and Covino 2003;Kallias, Imam, and Chryssanthopoulos 2017;Leygraf et al 2016;Morcillo et al 2019aMorcillo et al , 2019bOdnevall 1994;Tidblad 2013). Research describes the impact of corrosion on historical metals, and also on synthesising instructions for conservation of metal artifacts, sculptures and architectural elements (Dillmann et al 2013;Faltermeier 2014;Godfraind, Pender, and Martin 2012;Watkinson 2013). In contrast, the research on historical steel-sheet roofing is scarce and the instructions are often brief and generalising.…”
Section: Research Gap and Methodologymentioning
confidence: 99%
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“…The costs for corrosion damages are high on a global scale and therefore the mechanisms and effects of atmospheric corrosion on metals have been thoroughly analysed and described (Cramer and Covino 2003;Kallias, Imam, and Chryssanthopoulos 2017;Leygraf et al 2016;Morcillo et al 2019aMorcillo et al , 2019bOdnevall 1994;Tidblad 2013). Research describes the impact of corrosion on historical metals, and also on synthesising instructions for conservation of metal artifacts, sculptures and architectural elements (Dillmann et al 2013;Faltermeier 2014;Godfraind, Pender, and Martin 2012;Watkinson 2013). In contrast, the research on historical steel-sheet roofing is scarce and the instructions are often brief and generalising.…”
Section: Research Gap and Methodologymentioning
confidence: 99%
“…The conclusion reached from the above-mentioned references is that much paint research on treatments of metals does not recognise the value the importance of preserving authentic paints. There is existing research on historical anticorrosive painting systems, but is limited in terms of the complexity of conservation (Dillmann et al 2013;Martin 2012, 2013;Watkinson 2013). Research from the previous century on the outdoor use of linseed oil paints is still viable Carter 1950, 1953;Hudson and Stanners 1955;IVA 1935IVA , 1961Mayne 1970).…”
Section: Research Gap and Methodologymentioning
confidence: 99%
“…Forming and Shaping Although the basic laws underlying corrosion processes in the field of cultural heritage are the same as in industry, the criteria and priorities behind operational choices to mitigate the adverse effects of corrosion are deeply different [4,5,7,[11][12][13]. The vast possibilities of interaction between distinct metals and types of environment give rise to unlimited combinations of corrosion forms, making it useless for conservation purposes to gather occurrences following traditional corrosion classifications.…”
Section: Construction Step Descriptionmentioning
confidence: 99%
“…This triggered a growing interaction between conservator-restorers and the scientific community [6][7][8][9][10]25,32]. Over the last decades, this allowed a number of improvements: A growing understanding of the electrochemical processes typical of outdoor bronze monuments [33][34][35][36][37][38][39]; the dissemination of the "Theory of Restoration" by Brandi as a tool to lead choices on new conservation practices [7,11,40,41]; more awareness about possible strategies to deal with the changing equilibria and available resources [3,42].…”
mentioning
confidence: 99%
“…Therefore, several conservation and restoration methods are currently performed to stabilize the corrosion layers on outdoor iron-based structures. Organic coatings, such as waxes, resins, and oils, are applied to protect iron surfaces, acting as a physical barrier against atmospheric agents [3,9,10]. Nevertheless, these protective systems often need frequent maintenance to avoid failures of the coating film and exposure of the metal substrate to further oxidation [11].…”
Section: Introductionmentioning
confidence: 99%