Abstract:Through a reading of Donald Trump’s use of the song “The Snake” to campaign about the dangers of America’s multiple racial enemies—Latin American migrants, Muslim “terrorists,” Jewish financiers, among others—the introduction argues that racisms of the color line share something with Islamophobia and antisemitism: they are all organized biopolitically around a probabilistic threat of evil presumed to dwell in the inner life of certain populations. The introduction argues that racial power operates as a game fo… Show more
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