Introduction

Sherinian, Zoe

doi:10.4324/9781315142432-1

Cited by 5 publications

(4 citation statements)

References 1 publication

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“…Lokalisasi musik merupakan proses dan upaya komunitas Kristen untuk mengemas suatu musik global (dalam hal ini Buku Ende) menjadi bagian dari ruang lingkup budaya sendiri. Mengemas musik itu dapat berupa inovasi, improvisasi dan aransemen yang kemudian dijadikan bermakna dan berguna secara lokal dalam konstruksi iman dan kepercayaan, teologi, praktik dan identitas umat Kristen (Ingalls, Reigersberg, & Sherinian, 2018).…”

Section: Musik Global DI Konteks Lokalunclassified

Gondang Sebagai Pengiring Nyanyian dan Pengaruhnya Terhadap Peragaan Jemaat dalam Ibadah Minggu di HKBP Parsaoran Nauli Pematang Siantar

Sihombing

2023

Musik

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Beberapa gereja HKBP saat ini menggunakan gondang sebagai musik pengiring nyanyian Buku Ende yang dikombinasikan dengan beberapa instrumen musik modern seperti piano, drum, gitar dan saksofon. Idealnya musik gondang dalam tradisi adat Batak Toba, akan selalu dikombinasikan dengan peragaan tarian yang disebut dengan tortor. Akan tetapi, ketika gondang digunakan dalam ibadah Minggu, bagaimanakah jemaat meragakannya? Penelitian ini bertujuan untuk menganalisis tentang penggunaan gondang dan pengaruhnya terhadap peragaan (gerak) umat pada saat bernyanyi dalam ibadah di HKBP Parsaoran Nauli Pematang Siantar. Metode penelitian yang digunakan dalam penelitian ini adalah dengan pendekatan kualitatif. Data akan dikumpulkan dengan observasi langsung pada saat penyelenggaraan ibadah minggu, dan juga melalui wawancara. Berdasarkan hasil penelitian dapat dilihat bahwa jemaat merasakan hal yang baru dalam bernyanyi apabila diiringi dengan musik gondang, mereka akan lebih mudah untuk menghayati makna nyanyian yang digunakan dalam ibadah. Rekomendasi dalam penelitian ini diharapkan dapat menstimulus setiap umat gereja HKBP untuk memahami makna peragaan (gerak), ketika gondang digunakan sebagai musik pengiring nyanyian ibadah Minggu.

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Section: Musik Global DI Konteks Lokalunclassified

Gondang Sebagai Pengiring Nyanyian dan Pengaruhnya Terhadap Peragaan Jemaat dalam Ibadah Minggu di HKBP Parsaoran Nauli Pematang Siantar

Sihombing

2023

Musik

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“…Recent examination of ethnographic case studies of Christian music-making "show the complex interweaving of political, ethical, aesthetic, and theological rationales in the localization of congregational music, and how musical styles marked as 'foreign' help communities achieve their goals, often of local power negotiation, more effectively than styles understood to be 'indigenous.'" 68 For instance, in her research among the Yolngu in Northern Australia, Fiona Magowan has examined the way in which hymns and evangelical songs introduced in the 1920s by Methodist missionaries remain a meaningful element for the Yolngu to this day. Magowan suggests that the musical exchange that took place between the missionaries and the local people could be explained by a series of interrelated processes-encounter, reorientation, reception/agency, and leadership/independence-handled with cultural sensitivity and appropriateness, over a significant amount of time.…”

Section: "This Is My Story This Is My Song"mentioning

confidence: 99%

Singing the “Wondrous Story” in Portuguese: The First Official Brazilian Baptist Hymnal, Cantor Cristão

Monteiro

2021

Religions

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This paper discusses the history of Cantor Cristão, the first official Brazilian Baptist hymnal, published in 1891, revealing important aspects of the development of Protestant hymnody in Brazil. It also exposes a web of long-distance connections, multiple linguistic and cultural elements, and distinct perspectives of those who chose to do missionary work and those who chose to welcome them. More specifically, I describe and reflect on the contributions of Solomon L. Ginsburg, an Orthodox Jew from Poland, converted to Christianity in England, and turned Evangelical missionary, who played a crucial role in the history of Cantor Cristão as publisher, author, and translator of hymns. In my analysis, I adopt a historical ethnomusicological perspective and utilize the concept of musical localization, as well as the complementary notions of negotiation of proximity and ethics of style as interpretative lenses. I am drawn to a more nuanced view of the legacy of the mission enterprise, one that is not blind to issues of power, ethnocentrism, and wealth, but makes room for a robust examination of all sorts of capital transfers and investments (economic, cultural, and social), and the real phenomena of musical localization and individual agency.

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“…Observations have shown that music in the context of ritual worship is a facilitator for emotion and religious experience ( Miller & Strongman, 2002 ). This holds true both in an individual as well as a congregational setting ( Ingalls, 2016 ). In our current era, the forces of globalisation have created a more unifying culture where especially the younger demographic of believers share the songs that they like and commonly worship to Brehm Center (2017) .…”

Section: Introductionmentioning

confidence: 97%

The psychological role of music and attentional control for religious experiences in worship

Walter

Altorfer

2022

Quarterly Journal of Experimental Psychology

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This study investigated the psychological dynamics during worship experiences under the influence of different music conditions. 60 believers were recruited to participate in experiments where they were asked to engage in worship and to connect with God while continuously ranking how strongly they sensed the presence of the divine. After each condition, they were asked to rate how well they were able to focus on God during the worship procedure. Based on a previously published feedback loop model that portrays global psychological mechanisms in worship, we deduced two hypotheses: (i) the ability to focus on God is positively associated with how strong the subjective religious experience becomes; (ii) and the different musical conditions yield varying degrees in the intensity of the felt presence of God. Our statistical analyses on the current sample demonstrate that both alternative hypotheses can be accepted. For the latter thesis, two further assumptions were at play: (a) we speculated that religious worship songs were associated with stronger divine experiences than with secular ones; and (b) it was assumed that if they could worship to their own selection of songs, the experience would be more powerful than with the ones that were provided by the research team. Whereas upon our investigation the former assumption can be deemed correct, the latter shows a positive but insignificant association.

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Introduction

Cited by 5 publications

References 1 publication

Gondang Sebagai Pengiring Nyanyian dan Pengaruhnya Terhadap Peragaan Jemaat dalam Ibadah Minggu di HKBP Parsaoran Nauli Pematang Siantar

Gondang Sebagai Pengiring Nyanyian dan Pengaruhnya Terhadap Peragaan Jemaat dalam Ibadah Minggu di HKBP Parsaoran Nauli Pematang Siantar

Singing the “Wondrous Story” in Portuguese: The First Official Brazilian Baptist Hymnal, Cantor Cristão

The psychological role of music and attentional control for religious experiences in worship

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