Introduction

Graham, Maryemma

doi:10.2307/2930838

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Cited by 2 publications

(2 citation statements)

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“…sputter followed by data acquisition) was used in all Auger profiles to minimize sample charging and Auger emission interferences. The etch rate of a Ta 2 O 5 /Ta reference under these conditions is ¾1.1 nm min 1 . 15 In the absence of published data on the etch rate of SnO 2 we have taken it to be similar to Ta 2 O 5 .…”

Section: Methodsmentioning

confidence: 99%

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Studies of polyethylene-coated tin oxide films on glass bottles

Bhargava

Wang²,

Wood

et al. 2000

Surf. Interface Anal.

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Section: Methodsmentioning

confidence: 99%

“…1 The most common surface treatment method in the bottle industry is to coat the surface of glass bottles with a tin oxide film, followed by coating with a polymer material such as polyethylene. 2 -5 The tin oxide film, commonly called the 'hot-end' coating, is generally vapor deposited at bottle temperatures of 550-600°C.…”

Section: Introductionmentioning

confidence: 99%

Studies of polyethylene-coated tin oxide films on glass bottles

Bhargava

Wang²,

Wood

et al. 2000

Surf. Interface Anal.

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Native Sons; Or, How “Bigger” Was Born Again

Rinehart¹

2017

J. Am. Stud.

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This article reconsiders Richard Wright'sNative Sonby comparing divergences between the published novel and an earlier typeset manuscript. It argues that such revisions render protagonist Bigger Thomas an icon of global class conflict rather than a national figure of racial tension. By revealing the continuities among critical essays that bookend the writing ofNative Son, this essay also reveals how the novel's restructuring further elaborates Wright's globalism – highlighting his desire to produce work that transcended both national and racial categories. Finally, it considersNative Sonas a work of “world literature” and a model for global minoritarian discourse. By examining “translations” of the novel into postcolonial contexts, it argues that the global afterlife ofNative Sonis no departure from the localized vision of the novel, but rather the recapitulation of its explicit globalism. This article thereby challenges critical convention dividing Wright's career cleanly into two phases: his American period and later self-exile. It emphasizes rather that Wright's worldliness should be traced back through his revision ofNative Sonand earlier critical essays – ultimately finding his globalism not a late-stage development, but actually the single theme that unifies hisoeuvre.

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Introduction

Cited by 2 publications

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Studies of polyethylene-coated tin oxide films on glass bottles

Studies of polyethylene-coated tin oxide films on glass bottles

Native Sons; Or, How “Bigger” Was Born Again

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