Abstract:In this essay I discuss how Charles W. Chesnutt’s The House behind the Cedars—through the tropology of spatialization, illustrations of expansive human intimacy, and indictments of the triangulation of antinormatively gendered and sexed bodies as political capital—intervened in sexual respectability politics in the African American uplift culture of the post-Reconstruction era. In doing so I argue that Chesnutt consecrated the “noble strivings” of sexually antinormative African Americans while simultaneously i… Show more
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