Abstract:Based on theories of intertextuality and narrativity as well as historical and social contextualization, the present paper discusses how eight piano sonatas written between 1950 and 1967 by César Guerra-Peixe (1914-1993), Eunice Catunda (1915-1990), Claudio Santoro (1919-1989), Esther Scliar (1926-1978) and Edino Krieger (1928) respectively, formed a new corpus of Brazilian concert music thoroughly grounded on neoclassical formal principles. Permeated with the highest level of pianistic virtuosity these eight… Show more
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