Intersectional Edges in Adrienne Kennedy’s Funnyhouse of a Negro and The Owl Answers
Tansel Göksu,
Deniz Aras
Abstract:This article aims to explore intersectional boundaries in the construction of formations through the analysis of Adrienne Kennedy’s plays, Funnyhouse of a Negro (1964) and The Owl Answers (1965) Intersectionality challenges the axes of power by interrogating the experiences of the marginal voices who are exposed to simultaneous and interactive oppression. Positions of the disadvantaged identities predetermined through cultural construction in these plays reveal the discrimination debates at a junction where id… Show more
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