2017
DOI: 10.21464/mo46.124.5784
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Interkulturalni sadržaji kao polazište nastave glazbe u europskim općeobrazovnim školama

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Cited by 6 publications
(13 citation statements)
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“…Initial music listening is experiential, after which students articulate their impression, i.e., they determine the music's atmosphere and character. After the first listening, students pay attention to the tempo, performers, dynamics, and musical form (Dobrota, 2012;Šulentić Begić, 2010). The process of listening to musical works in music lessons in an organized way is called experiential-analytic listening (Borota, 2013).…”
Section: Research Results For Primary Education Studentsmentioning
confidence: 99%
“…Initial music listening is experiential, after which students articulate their impression, i.e., they determine the music's atmosphere and character. After the first listening, students pay attention to the tempo, performers, dynamics, and musical form (Dobrota, 2012;Šulentić Begić, 2010). The process of listening to musical works in music lessons in an organized way is called experiential-analytic listening (Borota, 2013).…”
Section: Research Results For Primary Education Studentsmentioning
confidence: 99%
“…His focus is the research of intercultural education and its implementation in teaching Music in general education schools, but also during the study of Music Pedagogy. His work and research results are published in his doctoral dissertation Intercultural education in teaching Music in general education schools (Begić, 2017). This area of literature review includes Begić's work that deals with the analysis of national, subject, and school curricula, teaching plans and programs, textbooks content, and CDs content, intending to gain knowledge about the implementation of interculturalism in teaching Music in various European countries, including Croatia (Begić, 2016;Begić et al, 2017).…”
Section: Interculturalism In Teaching Musicmentioning
confidence: 99%
“…His work and research results are published in his doctoral dissertation Intercultural education in teaching Music in general education schools (Begić, 2017). This area of literature review includes Begić's work that deals with the analysis of national, subject, and school curricula, teaching plans and programs, textbooks content, and CDs content, intending to gain knowledge about the implementation of interculturalism in teaching Music in various European countries, including Croatia (Begić, 2016;Begić et al, 2017). The results of the analysis indicate the insufficient content and elements (music of different cultures) that would encourage intercultural education of students through Music classes.…”
Section: Interculturalism In Teaching Musicmentioning
confidence: 99%
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“…In the 19th century, singing was joined by music literacy; other musical activities such as listening to music, playing an instrument, and musical creativity emerged as equally important areas in the early 20th century (Svalina, 2015). Today, a similar concept of music teaching is prevalent in most European countries according to which the most common activities in music teaching are singing, playing an instrument, listening to music, and musical creativity activities (De Vugt, 2017; Svalina, 2015; Šulentić Begić and Begić, 2014).…”
Section: Introductionmentioning
confidence: 99%