Abstract:The goal of this article is to conceive of a cross-cultural queer theory for ethnomusicology that allows for the consideration of the widest diversity and inclusive conceptualization of the relationship of performing arts to human desire, intimate behavior, and identity. It begins from an assumption that Western meanings of “queer” do not match the ways of living and musicking with sex, gender, and sexuality that exist throughout the world. To this end, it presents eight theoretical guidelines to help scholars… Show more
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