2016
DOI: 10.1080/09298215.2016.1230137
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Interaction features for prediction of perceptual segmentation: Effects of musicianship and experimental task

Abstract: As music unfolds in time, structure is recognized and understood by listeners, regardless of their level of musical expertise. A number of studies have found spectral and tonal changes to quite successfully model boundaries between structural sections. However, the effects of musical expertise and experimental task on computational modelling of structure are not yet well understood. These issues need to be addressed to better understand how listeners perceive the structure of music and to improve automatic seg… Show more

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Cited by 9 publications
(17 citation statements)
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“…In empirical studies, patterns exhibited by listeners in performing tasks of phrase segmentation in music have been linked to musical tension 7 , tonality vs atonality 8 , and speech prosody 9 . Additionally, they have been found to be modulated by musical expertise 1 , 10 .…”
Section: Introductionmentioning
confidence: 99%
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“…In empirical studies, patterns exhibited by listeners in performing tasks of phrase segmentation in music have been linked to musical tension 7 , tonality vs atonality 8 , and speech prosody 9 . Additionally, they have been found to be modulated by musical expertise 1 , 10 .…”
Section: Introductionmentioning
confidence: 99%
“…and the boundaries between such groups. It is not clear, however, how far this aspect of music perception depends on familiarity with the musical style, cross-cultural musical features or cues, or universal cognitive capacities; nor to what degree boundary perception is based on "deep" musical structure (implying non-local, long-range musical relations) and/or on "surface" cues.Segmentation, and the perception of hierarchical grouping structure in music, are the subject of many theoretical and empirical studies, mostly of the tonal styles familiar to Western readers [1][2][3][4][5] . Notably among theoretical studies, Lerdahl and Jackendoff 's Generative Theory of Tonal Music (GTTM) 6 models Western listeners' musical intuitions by proposing explicit rules whereby listeners are presumed to infer certain cognitive structures, specifically including hierarchical grouping structure, from the musical surface of a Western tonal piece.…”
mentioning
confidence: 99%
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“…Experimental work has recently begun to explore the sense of segmentation in contemporary music. Hartmann et al (2017) asked 18 musicians and 18 non-musicians to listen to six 2-minute stimuli of unfamiliar music and to note segment boundaries (which they define for the participants as "instants of significant musical change, " p. 6) by pressing a computer keyboard space bar. In a second experiment, the same 18 musicians were invited to listen and mark instants of significant change once again and then to revisit the places they had marked and move these as they wished after the second occasion of hearing.…”
Section: Introductionmentioning
confidence: 99%