Integrated Product Gestalt Design Method for the Analysis and Definition of Interface Elements Regarding Exterior and Interior

Holder, Daniel; Inkermann, David; Krasteva, Petia; Vietor, Thomas; Maier, Thomas

doi:10.1007/978-3-319-96071-5_91

Cited by 4 publications

(6 citation statements)

References 7 publications

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“…However, the process of narrowing down and refining the meaning of each principle has been subjected to a series of iterations. As some of the applications of the laws, these have been used to provide visual structure in graphic design (Moszkowicz, 2011), interface design (Ripalda et al, 2020), dynamic interfaces (Ye et al, 2021), and in the context of product design (Holder et al, 2019). Table 1 shows the specific Gestalt laws discussed in class, which were used as a theoretical ground to understand visual composition.…”

Section: Gestalt Laws As Design Principlesmentioning

confidence: 99%

Aplicando las leyes de la Gestalt mediante la sensibilidad somática

Núñez-Pacheco

2022

Diseña

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Atendiendo a la necesidad de integrar las sensibilidades somáticas a la enseñanza del diseño, este artículo ofrece un recorrido por una actividad realizada en un taller cuyo propósito fue introducir las leyes de la Gestalt a través de cultivar la sensibilidad somática. En lugar de seguir una ruta exclusivamente visual para aprender las leyes de la Gestalt, pedimos a los estudiantes que utilizaran sus sentidos y una serie de materiales como vehículos para representar, a través de sus diseños, las sensaciones corporales de su experiencia interior. Al aplicar los pasos propuestos, observamos que ciertos patrones de respuestas que informaban sobre el movimiento, la intensificación y la dispersión de la conciencia estaban asociados a leyes de la Gestalt específicas. Este artículo informa sobre las primeras aproximaciones de este enfoque, sugiriendo vías que podrán ser exploradas por los educadores en el ámbito del diseño a medida que los estudiantes aumentan su sensibilidad somática, tales como la integración de restricciones o la inclusión de interacciones que comprometan a todo el cuerpo con los materiales.

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Section: Gestalt Laws As Design Principlesmentioning

confidence: 99%

Aplicando las leyes de la Gestalt mediante la sensibilidad somática

Núñez-Pacheco

2022

Diseña

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“…In order to describe the perception in more detail, the basic scheme for product design is used (Figure 1). The product consists of the essential components layout, shape, colour and surfaces as well as graphics (Seeger, 2014;Holder et al, 2018). The layout describes the basic structure and assembly.…”

Section: Basic Scheme Of Product Perceptionmentioning

confidence: 99%

“…However, there are also classic studies with test subjects to research perceived car properties. Regarding this topic Chen et al (2007) and Holder et al (2018) conducted research. The former investigated the influence on the perception of specific car characteristics with the help of various combinations of design features on automobiles.…”

Section: Recognition and Perception Of Vehiclesmentioning

confidence: 99%

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The Age of Design - How Users Perceive the Chronological Order Within Automobile Generations

et al. 2021

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The vehicle exterior design conveys a variety of visual information. Among these are the brand identity, assumed characteristics, and the vehicle's age or newness. While previous research focusses mainly on the first two attributes, we broaden the perspective by examining the age perception for vehicle model portfolios across brands.Information of age is embedded not only in branding but also in the entirety of a vehicle's exterior design features. Therefore, this paper examines how participants of a self-reported study perceive individual models inside successive product portfolios without typical branding. The stimulus patterns were derived from 12 different series of BMW, Mercedes-Benz and Audi and edited accordingly. A total of 67 models from the years 1968 to 2019 were presented and evaluated in terms of perceived age, model and brand recognition.The results show that most vehicles are perceived as newer than their actual age, successive model generations are clearly distinguishable and participants were able to sort all models in their correct chronological order. Finally, design-related age perception and knowledge-based age perception are introduced as possible underlying concepts of the visual perception of product age.

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“…Bild 1: Teilgestalten Aufbau, Form, Farbe und Grafik am Beispiel einer Kaffeetasse nach Holder et al[4] …”

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Methode für markenübergreifendes Produktdesign am Beispiel eines Akkumoduls

Fischer¹,

Holder²,

Reichelt³

et al. 2020

Proceedings of the 31st Symposium Design for X (DFX2020)

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Replaceable products for changing use in machines from different manufacturers confront industrial designers with new challenges. In contrast to classic products, a strong product uniqueness must be created here for the recognition of the functional system and an individually modifiable brand allocation so that the product does not look like a foreign body in the application machine. The three-stage design method to solve this problem is placed before the concepts are created. This includes the analysis of the technical degree of freedom of the design, an analysis of the competition and the definition of a design target. In addition to the integration of the method into the product development process, the development of a cross-brand battery module is described as an example.

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Integrated Product Gestalt Design Method for the Analysis and Definition of Interface Elements Regarding Exterior and Interior

Cited by 4 publications

References 7 publications

Aplicando las leyes de la Gestalt mediante la sensibilidad somática

Aplicando las leyes de la Gestalt mediante la sensibilidad somática

The Age of Design - How Users Perceive the Chronological Order Within Automobile Generations

Methode für markenübergreifendes Produktdesign am Beispiel eines Akkumoduls

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