Abstract:For more than 30 years and until nowadays, development of a system reproducing the functioning of human hearing has remained an aim difficult to reach. Recent methods for identification of the fundamental frequency of musical sounds obtain good results using information about the temporal evolution of the amplitude and frequency of individual sound partials. Piano sounds and polyphonic sounds, which can have several partials that are closely spaced in the frequency domain, have not been extensively tested by t… Show more
“…In this paper, we focus on a transcription system for piano music [7][8][9][10][11]. The transcription system proposed is based on a heuristic approach, which has been found to achieve very good performance using simple signal processing techniques.…”
“…In this paper, we focus on a transcription system for piano music [7][8][9][10][11]. The transcription system proposed is based on a heuristic approach, which has been found to achieve very good performance using simple signal processing techniques.…”
“…An analysis (not presented here), employing the socalled instantaneous frequency method, [19][20][21][22][23][24] of the beat frequency reveals that it slightly increases over time as the rod vibration decays. One can audibly hear the increase in the beat frequency as well (increase of 1-2 Hz).…”
This paper discusses basic and advanced aspects of the sound radiated by the singing rod demonstration commonly used in physics courses to depict an example of longitudinal waves. Various methods of exciting these rods are discussed along with the issues associated with each method. Analysis of the sound radiated by various rods with small-signal and large-signal excitations is presented for four different rods. The small-signal sound radiation consists of a fundamental frequency and odd harmonics (each corresponding to a longitudinal mode) when the rod is held at its midpoint. Large-signal sound radiation is highly dependent on the rod's geometry. The large-signal sound can possess strong even harmonics and/or beating tones resulting from modal coupling of transverse bending modes and either subharmonic longitudinal modes or torsional modes. A detailed analysis of the sound radiation from a singing rod can provide excellent laboratory exercises or classroom demonstrations for advanced undergraduate or graduate level acoustics courses whose scope includes resonances of a bar.
“…The presence of several vibration modes having close frequencies is a common characteristic for numerous free stringed instruments. Various methods, applied to musical instruments, such as techniques based on the Hilbert transform [4,9] or High Resolution methods [4,10,11], allow the identification of spectral components.…”
Section: Introduction: Limit Of the Fourier Analysismentioning
The concert harp is composed of a soundboard, a cavity with sound holes and 47 strings. When one string is plucked, other strings are excited and induce a characteristic 'halo of sound'. This phenomenon, called sympathetic vibrations is due to a coupling between strings via the instrument's body. These sympathetic modes generate the presence of multiple spectral components in each partial of the tone. Resolution of Fourier analysis does not permit their identification. A high resolution Method, called ESPRIT, is used to separate the spectral components which are very close one to another. Some of the measured spectral components in the analysed partials correspond to the response of sympathetic modes. The eigenfrequencies and mode shapes of these modes are investigated using a suitable model of the instrument : this model is based on a waveguide approach in which bending and longitudinal motions of 35 strings connected to an equivalent beam representing the soundboard are described. Identified experimental sympathetic modes are very well captured by the model.
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